RED RANGER GEMINI 5K S35 and Shimmed PL Mount (Gold Mount)

by RED
Raspoloživost: Isporuka 14-20 dana
SKU
710-0331

RANGER BRAIN with GEMINI 5K S35 Sensor
PL Lens Mount with Shim Set
Gold Mount Battery Plate
REDCODE Recording up to 5120 x 3000p60

31.856,79€/240.025,00 kn 25.485,43€/192.020,00 kn
Tečaj konverzije: 1 EUR = 7,53450 HRK

Sadržaj pakiranja

  • 1x RED RANGER BRAIN w/ GEMINI 5K S35 sensor
  • 1x Shimmed PL Mount and PL Mount Shim Pack
  • 1x Production Top Handle 1x LCD/EVF Adaptor D
  • 1x RED RANGER AC Power Adaptor
  • 1x 3-Pin XLR-to-RED RANGER Power Cable (10’)
  • Compatible Hex and Torx tools

RED's RANGER is an all-in-one camera system that features an integrated and less complex platform for filmmakers. The standardized camera body weighs around 7.5 pounds (depending on battery), supports wide input voltage (11.5V to 32V), and boasts more independent SDI and AUX power outputs as well as an integrated XLR audio input. It also has a larger fan for quieter and more efficient temperature management.

Features like integrated I/O's, 24V power out, shimmed PL Mount and improved thermal performance give users peace of mind in any shooting environment. The camera will ship complete with necessary rigging and support for improved set-up time.

RED RANGER is available with three difference sensor options: MONSTRO 8K VV, HELIUM 8K S35, and GEMINI 5K S35. All three sensors deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows.


Configured for rigorous studio use, the versatile PL-mount RED RANGER with GEMINI 5K S35 Sensor is a 5K solution from RED DIGITAL CINEMA for rental house and high-end production use, as well as for individual users. Built around the GEMINI 5K S35 15.4MP CMOS sensor, this kit features a shimmed PL mount, a Gold mount battery plate, integrated I/O ports including 12 and 24V output, additional SDI and AUX power outputs, built-in 5-pin XLR audio input, and improved fan and thermal performance.

The GEMINI 5K S35 offers a wide dynamic range of 16.5+ stops and improved image quality with exceptional shadow detail. Use full-frame lenses to capture cinematic images at rates up to 75 fps in 5120 x 3000 5K, 120 fps in the 2.4:1 5K aspect ratio, 120 fps in 4K full format, and up to 300 fps in 2K 2:4:1 aspect ratio.

Record full-frame video in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously, or capture minutely detailed 15.4MP still images. With greater resolution than 4K capture and over 17x more than HD, the GEMINI 5K S35 provides the detail that enables cropping, re-centering, and additional tweaking during post while maintaining vivid, crisp imagery. Data rates of up to 300 MB/s can be reached when using 480 or 960GB MINI-MAGs, or up to 225 MB/s with 120 or 240GB MINI-MAGs (available separately).

In addition to the PL-mount RED RANGER BRAIN, this kit includes a BRAIN case, the Production Top Handle, a 24 VAC adapter and power cable, and compatible hex and Torx tools.

Key Features
  • 15.4MP, 30.72 x 18.0mm full-frame CMOS sensor for up to 5K-resolution images
  • 16.5-stop dynamic range, with improved image quality and greater shadow detail
  • Multiple capture rates including up to 60 fps 5K, 120 fps in 4K, and 240 fps in 2K full format
  • Versatile workflow options with REDCODE RAW, ProRes, and DNx recording
  • Durable aluminum body
  • Up to 300 MB/s data rates with separately available 480 or 960GB, or 225 MB/s with 120 or 240GB MINI-MAGs
  • Integrated 5-pin XLR audio input
Kit Items
  • PL lens mount with shims
  • Production top handle
  • Gold mount battery plate
  • 24 VAC adapter with cable
  • Hex and Torx tools
  • BRAIN case
SENSOR TYPE GEMINI® 15.4 Megapixel Dual Sensitivity CMOS
EFFECTIVE PIXELS 5120 x 3000
SENSOR SIZE 30.72 mm x 18.00 mm (Diagonal: 35.61 mm)
DYNAMIC RANGE 16.5+ stops (Both Sensitivities)
MAX DATA RATES Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
  Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
MAX FRAME RATES 1 75 fps at 5K Full Height 1.7:1 (5120 x 3000)
  96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
  120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
  150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
  240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS RANGE FROM 2:1 UP TO 22:11 3:1 REDCODE at 5K Full Height (5120 x 3000) and 24 fps
  6:1 REDCODE at 5K Full Height (5120 x 3000) and 60 fps
  2:1 REDCODE at 5K Full Format (5120 x 2700) and 24 fps
  8:1 REDCODE at 5K Full Format (5120 x 2700) and 96 fps
  2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps
  6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
REDCODE RAW ACQUISITION FORMATS2 5K Full Height 1.7:1 (5120 x 3000), 6:5 and Ana 2x, 1.3x
  5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 4:1, 8:1, and Ana 2x, 1.3x
  4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
  ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
  ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
  DNxHR HQ and SQ at 4K (4096 × 2160) 8-bit up to 30 fps
  DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  DNxHR HQ and SQ at 2K (2048 × 1080) 8-bit up to 120 fps
  DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION Aluminum Alloy
WEIGHT 7.30 lbs (with Integrated Media Bay, PL Mount, and Gold Mount)
  7.50 lbs (with Integrated Media Bay, PL Mount, and V-Lock)
DC IN POWER INPUT 11.5 V DC to 32 V DC
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
  Variable number of 3D LUT outputs
  User programmable shaper 1D LUTs
  Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones,
  uncompressed, 24-bit 48 kHz
  Integrated dual channel 5-pin XLR
  with preamplifiers, uncompressed, 24-bit 48 kHz
REMOTE CONTROL External R.C.P. WiFi antenna with SMA connector Ethernet,
  RS232, and GPI Trigger
MONITOR OUTPUTS 3G-SDI (HD-SDI) and MON-1
  1080p RGB or 4:2:2, 720p RGB or 4:2:2
  SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection. RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, DSMC2 Touch 7.0" Ultra-Brite LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A or DSMC2 LCD/EVF Adaptor D, and LCD/EVF cable.
REDCINE-X PRO REDCINE-X PRO
DELIVERY FORMATS 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
  VIDEO EDITING SOFTWARE
COMPATIBILITY4 Adobe Premiere Pro, AVID Media Composer,
  DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
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