Kinefinity TERRA 6K Body
by KinefinityTERRA, Smallest, Cine Camera with high performance, easy to be used like DSLR.
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- Fast Delivery For all the purchase orders within Croatia received by 02:00 p.m. on a working day, delivery will be made on the following working day*. On the territory of Europe, we provide a fast delivery service. For more details, please click on the link containing The Delivery Terms.
- International Purchasing The companies within the EU (except for the Republic of Croatia) with a valid VAT ID number, will pay the price exclusive of VAT. The price will be calculated upon checkout. All the customers outside of the EU will pay the export price exclusive of VAT.
Package includes
- 1 x Kinefinity TERRA 6K Body
TERRA, the smallest cinema camera with high performance, easy to be used like DSLR. Three models based on different CMOS imaging sensor: TERRA 4K/5K/6K. All models can work up to 100fps @4K Wide, 200fps@ 2K Wide, and record as Apple ProRes422HQ or lossless compressed RAW on standard 2.5″ SSD.
Super Lightweight: One-man Job
TERRA, weight of camera body is only 990g; its size is only half or third of other MINI cinema camera. Due to its small form factor close to DSLR, TERRA works well with most of Gimbals, and also lowers the requirements on accessories: so lightweight for handheld operation and for one-man job. With new SideGrip and 5″ fullHD KineMON, TERRA is ready for shooting.
TERRA 6K employs the same 6K CMOS sensor (rolling shutter) with KineMAX 6K. That means TERRA 6K captures same amazing images in wide colour gamut and same high fps at different resolutions. The latitude is up to 16 stops at golden 3K/2K, and 14 stops at regular 6K. For frame rate, 6K@30fps, 4K wide@100fps (HiSpeed mode), 2K wide@225fps (HiSpeed mode).
Super-Fast Post Workflow: ProRes or RAW
TERRA can record up to 4K, 5K or 6K ProRes 422HQ directly to get super-fast workflow with very high quality footages: ProRes 422HQ is much better than codecs based on H264, and compatible with all post-workflow softwares. Actually, TERRA is the only camera which can record ProRes 422HQ up to 5K or 6K in the market. For maximum room for grading, you can choose to record clips as lossless compressed RAW, KineRAW (.krw) which is natively supported by SCRATCH since v8.4, or transcode into CinemaDNG and ProRes4444 by KineStation which is a software provided by Kinefinity.
RESOLUTION, FRAME RATE AND CODECS
Image Format | Format | Resolution | Max FPS | Codec |
S35 | 6K HD | 5760x3240 | 30 | ProRes or KRW |
6K HD Wide | 5760x2400 | 40 | ProRes or KRW | |
4K HD (Oversample) | 3840x2160 | 30 | ProRes | |
4K HD Wide (Oversample) | 3840x1600 | 40 | ProRes | |
4K HD (HiSpeed) | 3840x2160 | 74 | ProRes or KRW | |
4K HD Wide (HiSpeed) | 3840x1600 | 100 | ProRes or KRW | |
Golden 3K | 2880x1620 | 30 | ProRes or KRW | |
Golden 3K Wide | 2880x1200 | 40 | ProRes or KRW | |
Golden 2K HD (Oversample) | 1920x1080 | 30 | ProRes | |
Golden 2K HD Wide (Oversample) | 1920x800 | 40 | ProRes | |
M4/3 | 4.3K 4:3 Anamorphic | 4320x3240 | 30 | ProRes or KRW |
4K 4:3 Anamorphic | 4096x3072 | 30 | ProRes or KRW | |
4K | 4096x2160 | 44 | ProRes or KRW | |
4K Wide | 4096x1716 | 56 | ProRes or KRW | |
4K HD | 3840x2160 | 44 | ProRes or KRW | |
4K HD Wide | 3840x1600 | 60 | ProRes or KRW | |
3K HD (HiSpeed) | 2880x1620 | 115 | ProRes or KRW | |
3K HD Wide (HiSpeed) | 2880x1200 | 150 | ProRes or KRW | |
Golden 2.2K Ana | 2176x1620 | 30 | ProRes or KRW | |
Golden 2K Ana | 2048x1536 | 30 | ProRes or KRW | |
Golden 2K | 2048x1080 | 44 | ProRes or KRW | |
Golden 2K Wide | 2048x860 | 54 | ProRes or KRW | |
Golden 2K HD | 1920x1080 | 44 | ProRes or KRW | |
Golden 2K HD Wide | 1920x800 | 60 | ProRes or KRW | |
S16 | 3K | 3072x1620 | 59 | ProRes or KRW |
3K Wide | 3072x1280 | 75 | ProRes or KRW | |
3K HD | 2880x1620 | 59 | ProRes or KRW | |
3K HD Wide | 2880x1200 | 75 | ProRes or KRW | |
2K (HiSpeed) | 2048x1080 | 170 | ProRes or KRW | |
2K Wide (HiSpeed) | 2048x800 | 200 | ProRes or KRW | |
2K HD (HiSpeed) | 1920x1080 | 170 | ProRes or KRW | |
2K HD Wide (HiSpeed) | 1920x800 | 225 | ProRes or KRW | |
16mm | 2K | 2048x1080 | 88 | ProRes or KRW |
2K Wide | 2048x860 | 110 | ProRes or KRW | |
2K HD | 1920x1080 | 88 | ProRes or KRW | |
2K HD Wide | 1920x800 | 118 | ProRes or KRW |
TECHNICAL SPECIFICATION
Camera Type | S35 Film-Style Digital Cinema Camera | |||
Imaging Sensor | 6K S35 Format CMOS | Crop factor over FF: 1.6 | ||
Shutter | Rolling Shutter | |||
Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters | *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer | ||
Record Formats | Codec Type | Codec Format | Bit Depth | |
Compressed Lossless KineRAW | .krw | 12bits | ||
ProRes422HQ/422/422LT/Proxy | .mov | 10bits | ||
Record Res | 6K | 4K | Golden 3K | |
5760x3240 | 3840x2160 | 2880x1620 | 4320x3240, 4:3 | |
Max FPS | 30@6K | 100@4K Wide | 150@3K Wide | 225@2K HD Wide |
Dynamic Range | 16 stops/14 stops | *Golden 3K/regular 6K | ||
ISO/EI | Base | Max | ||
1600/800 | 20480 | *Golden 3K/regular 6K | ||
Shutter Angle | 0.7°~358° | |||
Monitoring | KineMON Port x1 | HD Port x1 | SDI x2* | *Applicable on KineBACK |
Record Media | 2.5" SSD with 7mm Height | |||
Audio Capture | In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK | ||
Sync Function | Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK | ||
LUT | Preset: Neutral/Flat, Support Custom LUT | |||
Power | Power In | Consumption | ||
DC IN 11~19V/SideGrip/V-Mount* | 21W | *Applicable on KineBACK | ||
Body Color | Deep Grey | |||
Weight | 2.1 lb / 980 g | *Only Body | ||
Size | 4.5x4.3x3.7" / 115x110x95 mm | *W/o projections, WxHxL | ||
Operating Temp | 0°C to +40°C |