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Kinefinity Mavo 6K
Super 35mm CMOS Sensor
ProRes, KRW raw or Cinema DNG for all resolutions and frame rates
6K wide up to 66fps
4K wide up to 100fps
2k wide up to 196fps
- Kinefinity MAVO 6K Cinema Camera
High speed S35 6K CMOS image sensor
MAVO uses advanced colour processing architecture and new CMOS image sensors to achieve low noise and high latitude dynamic images.
Super35mm CMOS Sensor
The Mavo uses a completely new 6K CMOS imaging sensor with over 14 stops of latitude for detailed, cinematic images. 6K acquisition allows you the creative control to crop and manipulate your image when delivering in 4K, or to downsample to very sharp 4K images with a low noise floor. While its industry standard Super35mm size allows you to make the most a huge variety of high quality lenses on the market, allowing the Mavo 6K to fit seamlessly into your productions.
6K ProRes and Raw recording to Internal SSD's
Mavo allows for several raw recording options, CinemaDNG or .KRW files at either 3:1, 5:1 or 7:1 compression for pain free post production. You also get the option to record in all the flavours of Prores up to Prores 444XQ for projects where raw recording is not necessary. All of this is recorded internally onto 7mm SSD's. Removing the need for expensive and large external recorders.
High Frame Rates at High Resolutions
With 6k recording up to 66fps, 4K up to 100fps and 2K up to 192fps, Mavo's frame rates certainly don't disappoint. The frame rate can also be specified exactly to an accuracy of 0.001fps. These frame rates can be quickly changed on the fly with the use of presets, changing sensor crop, frame rate, resolution, shutter speed and codec with just the push of a button.
Compact Modular Design
Despite the high performance of the Mavo, the physical size of the camera is remarkably small. Plus coming in at just 990g, the core of the camera is not only small, its light as well. This means the Mavo is perfectly suited to gimbal and drone operators looking for the highest quality in the smallest package.
With the addition of the Sidegrip, Kineback-W and interchangeable lens mounts, Mavo is a very modular platform. Enabling you to customise the camera to your exact requirements.
Interchangeable lens mounts
The Mavo ships with a KineMOUNT. This proprietary mount is used to attach a variety of adapters, so you can use the lenses of your choice. The KineMOUNT is designed to be light with active electronic contacts, allowing it to work with PL mounting adapter with /i tech and new cordless EF mounting adapter, EF mounting adapter with KineEnhancer, Nikon F mounting adaper, Sony E adapter, PL/EF mounting adapters with electronic NS, etc.
Both MAVO and MAVO LF can shoot 6K wide 66fps, 4K wide 100fps slo-mo. Both slow-mo and normal frame rate can get the same superior images, more than 14 stops of latitude, pleasing skin tones and shadow details are reserved perfectly. With 6K 3:2 aspect ratio, in addition to the conventional 16:9 and 17:9 standard aspect ratio, the CMOS sensor can also provide a variety of image formats, such as 4:3, 6:5 S35 anamorphic shooting, even the open gate 6016×4016, up to 24 million pixels’ images!
MAVO uses a high-speed, low-noise S35 CMOS image sensor (cropping factor is 1.5) and the dynamic range is more than 14 stops at 6K resolution and various cropping modes. The frame rate is up to 66fps at S35 6K Wide and is up to 100fps at M43 4K Wide. The bit depth of RAW format is 12 bits. When ProRes, it also supports in-camera oversampling, which directly outputs S35 4K/3K/2K resolution. Since the native frame rate is much higher than TERRA 6K, the “rolling” effect is also much lower than TERRA 6K.
Smooth Post-workflow: ProRes444 and Compressed cinemaDNG
Also, MAVO provides three kinds of intermediate codecs suitable for editing and color grading to simplify the workflow and provide the maximum room for post-processing. For the Apple ProRes, it can work up to ProRes444XQ and ProRes444 now. For KineRAW, KRW2.0 as compressed RAW has compression ratio from 2:1~10:1. To work with Davinci Resolve, MAVO can record cinema DNG now, and the compression ratio can be set to 3:1, 5:1, or 7:1.
MAVO records compressed RAW footage as CinemaDNG which is supported by Davinci Resolve natively.so that you can directly import, edit and grade the CinemaDNG footage shot by MAVO in Davinci Resolve! No matter 3:1, 5:1 or 7:1, every format is able to achieve super high quality image and room for post-production.
MAVO even supports highest format as Apple ProRes444XQ, 444, also 422HQ/422/LT/Proxy. As the most popular intermediate code, ProRes is undoubtedly the industry standard, supported by all editing and color correction software natively. Note: depending on resolution and frame rate, not all resolutions and frame rates can record 444XQ and 444.
Wireless Camera: KineBACK-W on DarkTower
After inserting a wireless card (based on DarkTower platform) into the new KineBACK-W, MAVO and MAVO LF turn into a wireless camera: wireless video transmission and wireless lens control system (support Movcam), which greatly simplifies the connection between the camera and the accessories, improves reliability and durability significantly. The wireless video can work with 2000ft/3000ft based on different wireless cards(DT2000/DT3000).
|Camera Type||S35, Large Format Film-Style Digital Cinema Camera|
|Imaging Sensor||6K S35, Full Frame 3:2 Format CMOS||MAVO: 24x16mm|
|Lens Mount||Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters||*PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer|
|Record Formats||Codec Type: Compressed CinemaDNG||Codec Format: .dng||Bit Depth: 12bits (3:1/5:1/7:1)
|Codec Type: Compressed KineRAW||Codec Format: .krw||Bit Depth: 12bits (2:1~10:1)
|Codec Type: ProRes444XQ, 444, 422HQ/LT/proxy||Codec Format: .mov||Bit Depth: 10bits
|Resolution||6K (Open Gate)||4K||3K|
|Max FPS||66@6K Wide||100@4K Wide||150@3K Wide|
|Dynamic Range||>14 stops|
|Monitoring||Video Port x2||HD Port x1||SDI x2*||*Applicable on KineBACK-W *Slot for Wireless Tx on KineBACK-W|
|Record Media||2.5" SSD with 7mm Height
*Official KineMag is recommended. Performance of 3rd party drives will vary and we can not offer technical support on recording issues such as dropped frames or data loss when using 3rd party drives.
|Audio Capture||In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR
*Applicable on KineBACK-W
|Sync Function||Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync*
*Applicable on KineBACK-W
|LUT||Preset: Neutral/Flat, Support Custom 3D LUT|
|Power||Power In: DC IN 11~19V/SideGrip/V-Mount*
*Applicable on KineBACK
|Body Color||Metal Black|
|Weight||2.1 lb / 990 g|
|Size (WxHxL)||4.5x4.3x3.7" / 115x110x95 mm
|Operating Temp||0°C to +40°C|
|DC Port Polarity|
|Resolution, Frame Rate and Codecs|
|S35 (Image Format)||6K Wide (Format) 6016x2520 (Resolution) 60 (Max FPS) ProRes或RAW (Codec)
6K DCI 6016x3172 50 ProRes或RAW
6K HD Wide 5760x2400 66 ProRes或RAW
6K HD 5760x3240 50 ProRes或RAW
6K Open Gate 6016x4160 40 ProRes或RAW
4:3 Anamorphic 5376x4160 40 ProRes或RAW
6:5 Anamorphic 4864x4160 40 ProRes或RAW
5K Wide 5120x2160 74 ProRes或RAW
5K DCI 5120x2704 58 ProRes或RAW
4K HD Wide (Oversample) 3840x1600 66 ProRes
4K HD (Oversample) 3840x2160 50 ProRes
2K HD Wide (Oversample) 1920x800 66 ProRes
2K HD (Oversample)
|M43||4K Wide 4096x1720 92 ProRes或KRW
4K 4096x2160 74 ProRes或KRW
4K HD Wide 3840x1600 100 ProRes或KRW
4K HD 3840x2160 74 ProRes或KRW
|S16||3K Wide 3072x1280 120 ProRes或KRW
3K 3072x1620 99 ProRes或KRW
3K HD Wide 2944x1227 130 ProRes或KRW
3K HD 2944x1620 99 ProRes或KRW
|16mm||2K Wide 2048x860 180 ProRes或KRW
2K 2048x1080 144 ProRes或KRW
2K HD Wide 1920x800 192 ProRes或KRW
2K HD 1920x1080 144 ProRes或KRW
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