Kinefinity TERRA 6K Pro Package
by KinefinityTERRA, Smallest, Cine Camera with high performance, easy to be used like DSLR.
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Sadržaj pakiranja
TERRA, the smallest cinema camera with high performance, easy to be used like DSLR. Three models based on different CMOS imaging sensor: TERRA 4K/5K/6K. All models can work up to 100fps @4K Wide, 200fps@ 2K Wide, and record as Apple ProRes422HQ or lossless compressed RAW on standard 2.5″ SSD. Besides, TERRA 4K features Dual Native ISO : 3200/800.
TERRA Pro package includes nearly all accessories and the in-camera options: professional KineBACK module, solid and durable KineKIT-TERRA, WIFI control option and TERRA solid case compared to basic package.
TERRA has universal KineMOUNT as the native mount, but it should work with different types of adapters for lenses.
With KineMOUNT, you will get the maximum possibility for using different lens even with different mounts: using different mounting adapter on demand. Besides, just like attaching a lens, it is very easy and fast to attach the adapter to KineMOUNT with no need of adjusting FFD.
TERRA Lens mounts:
- PL mounting adapter II: For cinema PL lens;
- PL mounting adapter II with e-ND: For cinema PL lens with built-in electronic ND;
- EF Mounting Adapter II: For EF lens;
- EF mounting adapter II with KineEnhancer: For equivalent full-frame shooting with full-frame EF lens;
- EF Mounting Adapter II with e-ND: For EF lens with built-in electronic ND;
- SONY FE/E Mounting Adapter: For SONY FE/E lens, currently the E mounting adapter only supports full manual lenses like Fuji MK18-55, 50-135;
- Nikon F mounting adapter II: For Nikon lens;
- Nikon F mounting adapter II with KineEnhancer: For equivalent full-frame shooting with full-frame Nikon F lens.
Note: EF mounting adapter supports electronic iris-control, while Nikon F mounting adapter does not support electronic iris-control, but it can support only G lens iris-control by technical ring. In addition, individual mounting adapters are accessories, not included in the body when purchase.
Since 2014, every mount or mounting adapter made by Kinefinity is lock-type mount, like cinema PL mounting lock mechanism. It provides much better stability; fits very well in professional way when video shots using follow-focus gear.
RESOLUTION, FRAME RATE AND CODECS
Image Format | Format | Resolution | Max FPS | Codec |
S35 | 6K HD | 5760x3240 | 30 | ProRes or KRW |
6K HD Wide | 5760x2400 | 40 | ProRes or KRW | |
4K HD (Oversample) | 3840x2160 | 30 | ProRes | |
4K HD Wide (Oversample) | 3840x1600 | 40 | ProRes | |
4K HD (HiSpeed) | 3840x2160 | 74 | ProRes or KRW | |
4K HD Wide (HiSpeed) | 3840x1600 | 100 | ProRes or KRW | |
Golden 3K | 2880x1620 | 30 | ProRes or KRW | |
Golden 3K Wide | 2880x1200 | 40 | ProRes or KRW | |
Golden 2K HD (Oversample) | 1920x1080 | 30 | ProRes | |
Golden 2K HD Wide (Oversample) | 1920x800 | 40 | ProRes | |
M4/3 | 4.3K 4:3 Anamorphic | 4320x3240 | 30 | ProRes or KRW |
4K 4:3 Anamorphic | 4096x3072 | 30 | ProRes or KRW | |
4K | 4096x2160 | 44 | ProRes or KRW | |
4K Wide | 4096x1716 | 56 | ProRes or KRW | |
4K HD | 3840x2160 | 44 | ProRes or KRW | |
4K HD Wide | 3840x1600 | 60 | ProRes or KRW | |
3K HD (HiSpeed) | 2880x1620 | 115 | ProRes or KRW | |
3K HD Wide (HiSpeed) | 2880x1200 | 150 | ProRes or KRW | |
Golden 2.2K Ana | 2176x1620 | 30 | ProRes or KRW | |
Golden 2K Ana | 2048x1536 | 30 | ProRes or KRW | |
Golden 2K | 2048x1080 | 44 | ProRes or KRW | |
Golden 2K Wide | 2048x860 | 54 | ProRes or KRW | |
Golden 2K HD | 1920x1080 | 44 | ProRes or KRW | |
Golden 2K HD Wide | 1920x800 | 60 | ProRes or KRW | |
S16 | 3K | 3072x1620 | 59 | ProRes or KRW |
3K Wide | 3072x1280 | 75 | ProRes or KRW | |
3K HD | 2880x1620 | 59 | ProRes or KRW | |
3K HD Wide | 2880x1200 | 75 | ProRes or KRW | |
2K (HiSpeed) | 2048x1080 | 170 | ProRes or KRW | |
2K Wide (HiSpeed) | 2048x800 | 200 | ProRes or KRW | |
2K HD (HiSpeed) | 1920x1080 | 170 | ProRes or KRW | |
2K HD Wide (HiSpeed) | 1920x800 | 225 | ProRes or KRW | |
16mm | 2K | 2048x1080 | 88 | ProRes or KRW |
2K Wide | 2048x860 | 110 | ProRes or KRW | |
2K HD | 1920x1080 | 88 | ProRes or KRW | |
2K HD Wide | 1920x800 | 118 | ProRes or KRW |
TECHNICAL SPECIFICATION
Camera Type | S35 Film-Style Digital Cinema Camera | |||
Imaging Sensor | 6K S35 Format CMOS | Crop factor over FF: 1.6 | ||
Shutter | Rolling Shutter | |||
Lens Mount | Native KineMOUNT as omni mount to be PL/EF/SONY E/Nikon F by solid mounting adapters | *PL, PL e-ND *EF, EF e-ND, EF Enhancer *SONY E *Nikon F, F Enhancer | ||
Record Formats | Codec Type | Codec Format | Bit Depth | |
Compressed Lossless KineRAW | .krw | 12bits | ||
ProRes422HQ/422/422LT/Proxy | .mov | 10bits | ||
Record Res | 6K | 4K | Golden 3K | |
5760x3240 | 3840x2160 | 2880x1620 | 4320x3240, 4:3 | |
Max FPS | 30@6K | 100@4K Wide | 150@3K Wide | 225@2K HD Wide |
Dynamic Range | 16 stops/14 stops | *Golden 3K/regular 6K | ||
ISO/EI | Base | Max | ||
1600/800 | 20480 | *Golden 3K/regular 6K | ||
Shutter Angle | 0.7°~358° | |||
Monitoring | KineMON Port x1 | HD Port x1 | SDI x2* | *Applicable on KineBACK |
Record Media | 2.5" SSD with 7mm Height | |||
Audio Capture | In-camera MIC; 3.5mm MIC-in; KineAudio* with 48V Phantom Power XLR | *Applicable on KineBACK | ||
Sync Function | Tally, AutoSlate, Beeper, Trigger, SMPTE LTC*, 3D/Multi-cam Sync* | *Applicable on KineBACK | ||
LUT | Preset: Neutral/Flat, Support Custom LUT | |||
Power | Power In | Consumption | ||
DC IN 11~19V/SideGrip/V-Mount* | 21W | *Applicable on KineBACK | ||
Body Color | Deep Grey | |||
Weight | 2.1 lb / 980 g | *Only Body | ||
Size | 4.5x4.3x3.7" / 115x110x95 mm | *W/o projections, WxHxL | ||
Operating Temp | 0°C to +40°C |