Laowa Nanomorph 32mm T2.9 1.5X LF (Silver) Arri PL (Default) + EF

Capture stunning anamorphic footage with elegant silver flares and constant oval bokeh from the center to the edge of your image using the Laowa Nanomorph 32mm T2.9 1.5x LF Anamorphic Lens from Venus Optics. Covering beyond your full-frame sensor, the professional-grade optics provide a constant 1.5x squeeze ratio. The included ARRI PL and Canon EF lens mounts can be easily swapped with separately available bayonets to match different cameras, and the lens is compatible with MOFAGE POCO drop-in filters, making it a versatile and ideal solution for high-end film production.

Beyond Full-Frame Coverage

The generous 44.7mm image circle enhances image quality by reducing vignetting, providing optimal coverage for the widely used ARRI ALEXA LF 4.5K Open Gate. The imaging area covers full-frame sensors and 16:9, 3:2, and 4:3 formats, allowing easy output to 2:1, 2.25:1, 2.66:1, and 2.4:1 aspect ratios while maintaining quality.

Constant 1.5x Squeeze Ratio

With a 1.5x squeeze ratio, the Laowa Nanomorph achieves a 2.66:1 aspect ratio on a 16:9 sensor after de-squeeze, delivering a much more pronounced anamorphic and cinematic look compared to a 1.33x anamorphic lens.

Consistent Bokeh from Center to Edge

The shape of the bokeh changes from the center to the edges of the frame, sometimes taking on a moon-shaped appearance, which can occasionally be distracting. In contrast, the Nanomorph LF delivers a more consistent bokeh across the frame.

Waterfall Bokeh

The iris ranges from T2.9 to T22 across the entire series, enabling filming in all lighting conditions and meeting the dynamic demands of on-set production. A stunning shallow depth of field can be achieved at wide apertures, and the lenses create a smooth, organic waterfall focus roll-off in the background, which is one of the most sought-after anamorphic characteristics in the film industry.

Outstanding Image Quality

This lens' impressive sharpness and contrast make it highly versatile for various production needs, matching the performance of modern sensors. Even when used wide open, the image remains sharp and pristine, suitable for theatrical and cinematic projects. For those seeking a vintage look, the lenses offer ample flexibility for post-production adjustments or pairing with filters, empowering cinematographers to explore their creative vision for the long term.