Panasonic S5 II X + Lumix S 24-60mm/F2,8
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Sadržaj pakiranja
- Panasonic Lumix S5 IIX Mirrorless Camera
- Panasonic DMW-BLK22 Lithium-Ion Battery (7.2V, 2200mAh)
- Shoulder Strap
- Body Cap
- Hot Shoe Cover
- Battery Grip Connector Cover
- Panasonic Lumix S 24-60mm f/2.8 Lens
- Front Lens Cap
- Rear Lens Cap
- Lens Hood
Designed for pro content creators needing strong stills, sophisticated video options, and livestreaming functionality, the second-generation Panasonic Lumix S5 IIX Mirrorless Camera is equipped with a host of new features to bring your vision to life. Benefitting from a new sensor design and an updated processing engine with L2 technology, the S5 IIX is the first Lumix camera to offer Phase Hybrid AF for fast and precise autofocusing performance. Making full use of the 24.2MP sensor and enhanced processor, this camera records 6K video for up to 30 minutes, while unlimited 4K video capture is available as well. Optimized for video, the S5 IIX is also equipped with a new Active I.S. system, which supports walking shots to further enhance image stabilization while recording video.
Unique to the advanced S5 IIX, this model comes pre-loaded with sophisticated video features benefitting the professional user. These include HDMI RAW video data output, USB-SSD recording, ALL-Intra recording, and ProRes recording. Livestreaming functionality is standard as well, and the S5 IIX offers Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming. Additionally, this camera is the first Lumix camera to feature a refined and stealthy all-black design.
New Sensor and Processing Engine
Featuring an upgraded full-frame 24.2MP CMOS sensor and an updated image processing engine with L2 technology, the S5 IIX's sensor incorporates a newly-developed Phase Hybrid AF system — a first for Lumix-series cameras — providing 779 phase-detection points for significantly-improved subject tracking. Balancing high sensitivity and a wide dynamic range, the sensor provides a useful ISO 100-51200 range, which can be expanded to ISO 50-204800 for working in a variety of lighting conditions. Well-equipped for action and fast-moving subjects, the S5 IIX also enables full-res shooting at up to 9 fps with the mechanical shutter and up to 30 fps with the electronic shutter. Additionally, the S5 IIX utilizes sensor-shift stabilization technology and features a High Resolution mode to capture and compile eight separate exposures to create a single 96MP raw or JPEG file. Suitable for static subjects and when working on a tripod, this mode creates a more highly detailed and color accurate image than a single shot alone can produce and produces an image with a 12000 x 8000-pixel resolution.
6K and 4K Video Recording
In addition to stills, the S5 IIX sports highly capable video recording assets. Full-frame 6K30p recording with 4:2:0 10-bit color can be captured for up to 30 minutes, while unlimited video recording is possible when filming in DCI and UHD 4K60p 4:2:2 10-bit mode. The camera supports 120p video capture for videographers who want to create high-resolution slow-motion video, and RAW HDMI output is possible via an optional license upgrade. V-Log has been pre-installed on this camera and is used to capture a flat, neutral gamma curve and an equivalent 14+ stops of dynamic range provides precise control of color data in post-production, as well as seamless editing with footage shot with VariCam cameras.
Borrowing from Panasonic's broadcast line of video cameras, Dual Native ISO helps to achieve a balanced combination of low noise and high sensitivity to better suit working in a variety of lighting conditions. Two dedicated circuits are provided for each pixel: a Low ISO circuit provides base sensitivities of ISO 100 for normal use, ISO 640 when V-Log is applied, ISO 400 when HLG is applied, and ISO 200 when Cinelike D2/V2 is applied; a Low Noise circuit provides base sensitivities of ISO 640 for normal use, ISO 4000 when V-Log is applied, ISO 2500 when HLG is applied, and ISO 1250 when Cinelike D2/V2 is applied.
Pro-Level Video Features
Offering enhanced performance and usability, the S5 IIX provides HDMI RAW video data output.
For videographers who want to improve efficiency in data backup and post-processing, recording and playback is supported using an external SSD via USB. ALL-Intra recording and ProRes recording are also supported.
Designed for modern-users and content creators, the camera allows for Wireless IP streaming, USB tethering to smartphones, and Wired IP streaming.
Phase Hybrid AF System
The S5 IIX is the first Lumix mirrorless camera to adopt a Phase Hybrid AF system, which offers 779 phase-detection points to provide fast and precise focusing for outstanding AF accuracy. When it comes to autofocus, dependability is the most important thing, and with Phase Detection AF you can fully supplement and track the subject in six different situations that until now had been a challenge for conventional systems to capture. Whether shooting stills or video, this means the S5 IIX persistently captures the intended subject in difficult scenes involving multiple people in backlit or low-light environments.
Dual I.S. 2 with Active I.S.
Offering comprehensive support for hand-held use, the S5 IIX incorporates a Dual I.S. 2 image stabilization system, which compensates for approximately 6.5 stops of camera shake to achieve the utmost sharpness for handheld photography. For video applications, the camera is designed with a newly-developed Active I.S. system for walking shots to further enhance image stabilization while the camera is moving and recording video.
Body Design
Used in conjunction with other members of the L-Mount Alliance, the L lens mount is a versatile interface with a mount diameter of 51.6mm and a flange distance of 20mm for working with a broad range of optics. Additionally, this camera allows for the use of all the classic and modern Anamorphic lenses that have been in use for over 60 years.
A high-resolution 3.68m-dot OLED EVF offers a clear 0.78x magnification along with a smooth 60 fps or 120 fps changeable refresh rate.
Large 3.0" 1.84m-dot LCD is a bright, clear means for live view shooting as well as playback and menu navigation. The screen features a free-angle design to suit working from high, low, and front-facing angles, and its touchscreen design affords intuitive settings control.
An 8-direction joystick and easy-to-use menu design enable quick and efficient operation.
A USB-C port allows for fast file transferring as well as high-speed in-camera battery charging. Additionally, a new full-size HDMI-A port benefits video applications, a 2.5mm port can be used with the optional DMW-RS2 Remote Shutter, and 3.5mm microphone and headphone jacks suit advanced audio recording needs.
Dual SD memory card slots — both UHS-II-compatible — offer improved flexibility for image storage, allowing you to segregate raw and JPEG files to different cards, save duplicate files to both cards, or simply double your storage space with overflow recording.
An industry-first, the S5 II utilizes a built-in cooling fan to suppress the camera's internal temperature for extended or unlimited recording.
A robustly-built magnesium alloy body with dust and splash-resistant design accommodates working in harsh weather conditions and trying environments.
First Lumix camera to feature a refined and stealthy all-black design.
Bluetooth and Wi-Fi
Bluetooth Low Energy (5.0) provides constant connection between your smartphone or tablet with minimal power consumption. For more robust wireless activities, IEEE 802.11b/g/n and 802.11a/n/ac support is also available for faster transmission and more fluid remote control and monitoring. Complementing the camera's wireless connectivity, Lumix Sync is an iOS and Android app designed to pair with the camera for smartphone or tablet-based remote shooting control, wireless image transfer, and updating firmware.
Other Camera Features
Real-time LUT enables color grading to be done in the camera itself
Live cropping allows in-frame panning and zooming while recording video
In addition to conventional 3:2, 4:3, 1:1, and 16:9 ratios, photos can also be recorded in 65:24 and 2:1 panoramic formats
Color Shading Compensation corrects the bluish/reddish coloration on the periphery that may occur when older lenses are mounted
Compatible with Lumix Tether for remote photo and video shooting via USB
4-channel 48 kHz or 96 kHz 24-bit recording with optional DMW-XLR1 XLR microphone adapter
In-camera USB PD battery charging with optional DMW-BTC15 Battery Charger
The Panasonic Lumix S 24-60mm f/2.8 Lens offers professional performance in a portable form factor, delivering a constant f/2.8 aperture throughout its zoom range. Designed for full-frame L-Mount cameras, this hybrid-ready zoom is built to handle everything from wide-angle landscapes to detailed portraits, with stunning image quality, soft background bokeh, and advanced close-up capabilities. Whether you're shooting stills or high-quality video, it's a compact, reliable tool ready to go anywhere.
Versatile Performance in a Compact Design
Engineered for hybrid creators, its constant f/2.8 brightness ensures consistent exposure and low-light performance across the entire zoom range—from wide 24mm to standard 60mm—making it well suited for landscapes, portraits, street scenes, and handheld video work. Despite its professional optics, it remains remarkably portable at just 1.2 lb and under 4 inches in length. With a minimum focusing distance of just 7.5" and a maximum magnification of 0.3x, the lens excels at capturing expressive close-ups, whether isolating small details with smooth bokeh or incorporating environmental context. When paired with select Lumix S cameras—including the S1II, S1IIE, S1RII, S5II, S5IIX, and S9—the Hybrid Zoom function can extend focal length digitally up to 187mm, providing added versatility without compromising framing or speed. A standout feature is the dual-function focus ring, which can be reassigned to control aperture or exposure compensation and reversed for a custom feel. Manual focus is supported during zooming, allowing for smooth subject transitions—ideal for videographers. You can also choose between linear mode for mechanical-style consistency or non-linear mode for responsive, speed-based focus shifts. Built with rugged outdoor shooting in mind, the lens is dust-, splash-, and freeze-resistant, and its optics meet the rigorous standards of the L-Mount Alliance for seamless cross-system compatibility.
| Lens Mount | Leica L |
| Sensor Resolution | Actual: 25.28 Megapixel |
| Effective: 24.2 Megapixel (6000 x 4000) | |
| Sensor Type | 35.6 x 23.8 mm (Full-Frame) CMOS |
| Image Stabilization | Sensor-Shift, 5-Axis |
| Capture Type | Stills & Video |
| Exposure Control | |
| Shutter Type | Electronic Shutter, Mechanical Focal Plane Shutter |
| Shutter Speed | Mechanical Shutter |
| 1/8000 to 60 Seconds | |
| Up to 30 Minutes in Bulb Mode | |
| Electronic Front Curtain Shutter | |
| 1/2000 to 60 Seconds | |
| Up to 30 Minutes in Bulb Mode | |
| Electronic Shutter | |
| 1/8000 to 60 Seconds | |
| Up to 60 Seconds in Bulb Mode | |
| Bulb/Time Mode | Bulb Mode, Time Mode |
| ISO Sensitivity | Photo/Video |
| 100 to 51,200 (Extended: 50 to 204,800) | |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Auto, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | 0 to 18 EV |
| White Balance | 2500 to 10,000K |
| Presets: AWB, Cloudy, Color Temperature, Daylight, Flash, Incandescent, Shade, White Set 1, White Set 2, White Set 3, White Set 4 | |
| Continuous Shooting | Mechanical Shutter |
| Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Electronic Shutter | |
| Up to 30 fps for up to 200 Frames (Raw) / 200 Frames (JPEG) | |
| Up to 9 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Up to 5 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Up to 2 fps for up to 200 Frames (Raw) / 300 Frames (JPEG) | |
| Interval Recording | Yes |
| Self-Timer | 2/10-Second Delay |
| Still Image Capture | |
| Image Sizes | 3:2 |
| 96 MP (12,000 x 8000) *Via In-Camera Pixel-Shift | |
| 96 MP (8496 x 5664) *Via In-Camera Pixel-Shift | |
| 24.2 MP (6000 x 4000) | |
| 24.2 MP (4272 x 2848) | |
| 24.2 MP (3024 x 2016) | |
| 4:3 | |
| 96 MP (10,656 x 8000) *Via In-Camera Pixel-Shift | |
| 96 MP (7552 x 5664) *Via In-Camera Pixel-Shift | |
| 24.2 MP (5328 x 4000) | |
| 24.2 MP (3792 x 2848) | |
| 24.2 MP (2688 x 2016) | |
| 16:9 | |
| 96 MP (12,000 x 6736) *Via In-Camera Pixel-Shift | |
| 96 MP (8496 x 4784) *Via In-Camera Pixel-Shift | |
| 24.2 MP (6000 x 3368) | |
| 24.2 MP (4272 x 2400) | |
| 24.2 MP (3024 x 1704) | |
| 1:1 | |
| 96 MP (8000 x 8000) *Via In-Camera Pixel-Shift | |
| 96 MP (5664 x 5664) *Via In-Camera Pixel-Shift | |
| 24.2 MP (4000 x 4000) | |
| 24.2 MP (2848 x 2848) | |
| 24.2 MP (2016 x 2016) | |
| 65:24 | |
| 24.2 MP (6000 x 2208) | |
| 2:1 | |
| 24.2 MP (6000 x 3000) | |
| Aspect Ratio | 1:1, 2:1, 3:2, 4:3, 16:9, 65:24 |
| Image File Format | JPEG, Raw |
| Bit Depth | 14-Bit |
| Video Capture | |
| Internal Recording Modes | H.264/H.265/MOV/MP4/ProRes 4:2:2/4:2:0 8/10-Bit |
| 5952 x 3968 at 23.98/24.00/25/29.97 fps [200 Mb/s] | |
| 5952 x 3136 at 23.98/24.00/25/29.97 fps [200 Mb/s] | |
| 5888 x 3312 at 23.98/24.00/25/29.97 fps [200 Mb/s] | |
| 4096 x 2160 at 23.98/24.00/25/29.97 fps [150 to 400 Mb/s] | |
| 3840 x 2160 at 23.98/24.00/25/29.97 fps [72 to 400 Mb/s] | |
| 1920 x 1080 at 23.98/24.00/25/29.97/47.95/48.00/50/59.94/100/119.88 fps [20 to 454 Mb/s] | |
| External Recording Modes | 12-Bit via HDMI |
| 5888 x 3312 at 23.98/25/29.97 fps | |
| 10-Bit via USB | |
| 5776 x 3056 at 23.98/24.00/25/29.97 fps | |
| 4096 x 2160 at 23.98/24.00/25/29.97 fps | |
| 1920 x 1080 at 24.00/25/50 fps | |
| Sensor Crop Modes | Super35 / APS-C |
| 4096 x 2160 | |
| 3840 x 2160 | |
| 3328 x 2496 | |
| 1920 x 1080 | |
| Fast-/Slow-Motion Support | Yes |
| Gamma Curve | Panasonic V-Gamut, V-Log |
| Recording Limit | None |
| Broadcast Output | NTSC/PAL |
| IP Streaming | RTP, RTSP |
| 3840 x 2160 to 1280 x 720 at 25p, 29.97p, 50p, 59.94p (4.0 to 25.00 Mb/s) | |
| Built-In Microphone Type | Stereo |
| Audio Recording | MOV: 2-Channel 24-Bit 48 kHz LPCM Audio |
| MP4: 2-Channel 16-Bit 48 kHz AAC Audio | |
| Interface | |
| Media/Memory Card Slot | Dual Slot: SD/SDHC/SDXC (UHS-II) |
| Video I/O | 1 x HDMI Output |
| Audio I/O | 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Headphone Output |
| 1 x 1/8" / 3.5 mm TRRS Headphone/Mic Microphone Input | |
| Power I/O | 1 x USB-C Input/Output |
| Other I/O | 1 x USB-C Data Input/Output (Shared with Power Input) |
| Wireless | 2.4 / 5 GHz Wi-Fi (802.11b/g), Wi-Fi 5 (802.11ac), Bluetooth 5.0 |
| App Compatible | Yes: Android & iOS |
| App Name: Lumix Sync | |
| Functionality: Access Stored Files, Firmware Update, Remote Control | |
| *As of January, 2023: Check with manufacturer for the most up-to-date compatibility | |
| Global Positioning (GPS, GLONASS, etc.) | None |
| Monitor | |
| Size | 3" |
| Resolution | 1,840,000 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
| Viewfinder | |
| Type | Built-In Electronic (OLED) |
| Resolution | 3,680,000 Dot |
| Eye Point | 21 mm |
| Coverage | 100% |
| Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +2 |
| Focus | |
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF, Manual Focus, Single-Servo AF |
| Autofocus Points | Photo, Video |
| Contrast Detection, Phase Detection: 779 | |
| Autofocus Sensitivity | -6 to +18 EV |
| Flash | |
| Built-In Flash | No |
| Flash Modes | Auto, Auto/Red-Eye Reduction, Forced On, Forced On/Red-Eye Reduction, Slow Sync, Slow Sync/Red-Eye Reduction |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
| Environmental | |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Operating Humidity | 10 to 80% |
| General | |
| Battery Type | 1 x Rechargeable Lithium-Ion, 7.2 VDC, 2200 mAh (Approx. 370 Shots) |
| Tripod Mounting Thread | 1 x 1/4"-20 Female (Bottom) |
| Accessory Mount | 1 x Hot Shoe Mount on Camera Body |
| Material of Construction | Magnesium Alloy |
| Dimensions (W x H x D) | 5.29 x 4.03 x 3.55" / 13.44 x 10.24 x 9.02 cm (Without Protrusions) |
| Weight | 1.45 lb / 658 g (Body Only) |
| 1.64 lb / 744 g (With Recording Media) | |
| Focal Length | 24 to 60mm |
| Maximum Aperture | f/2.8 |
| Lens Mount | L-Mount |
| Lens Format Coverage | Full-Frame |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 77 mm (Front) |
| Maximum Aperture | f/2.8 |
| Minimum Aperture | f/22 |
| Lens Mount | L-Mount |
| Lens Format Coverage | Full-Frame |
| Angle of View | 84° to 40° |
| Maximum Magnification | 0.3 to 0.22x |
| Optical Design | 14 Elements in 12 Groups |
| Diaphragm Blades | 9, Rounded |
| Focus Type | Autofocus |
| Image Stabilization | No |
| Filter Size | 77 mm (Front) |
| Dimensions (ø x L) | 3.31 x 3.93" / 84.07 x 99.82 mm |
| Length at Maximum Extension | 3.93" / 99.82 mm |
| Weight | 1.2 lb / 544 g |

















