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- Sigma 50mm T1.5 FF F/VE (METRIC)
Sigma 50mm T1.5 FF F/VE (METRIC)
by SigmaFF High Speed Prime Line
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Sadržaj pakiranja
- SIGMA 50MM T1.5 FF F/VE
- COVER CINE LENS CAP
- REAR CAP
- LENS SUPPORT FOOT
Wide focal length coverage
The lineup covers everything from wide angle to telephoto. Produce an entire work with Sigma lenses alone.
Compatibility
Compatibility has been confirmed with each brand of cinema cameras.
Strong high-speed lens lineup
Available in T1.5 or T2. These options enable cinematographers to realize a wide range of expressive goals.
/i Technology-compatible
This prime lens lineup comes with electronic contacts that supports Cooke’s /i Technology communication protocol for Art Prime PL mount lenses. By using an /i Technology-compatible cine lens with a cine camera that supports the same protocol, users can see and record lens metadata such as focus distance, focal length, and aperture. This helps streamline compositing in the post production process. This is particularly suitable for the latest forms of filmmaking, such as VFX, that call for detailed shooting data.
Inspecting each and every lens
There are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. Sigma lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. Sigma has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.
Minimization of flare and ghosting
Computer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.
Sharpness combined with outstanding bokeh effect
To fulfill the high demands for image quality in still photography, Sigma has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.
Color balance standardized across the lineup
All of the lenses in the lineup are designed to comply with Sigma’s CCI standard. Standardized color balance makes color correction a snap.
6K-8K class resolution
The lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.
Lightweight and compact
Leveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, Sigma has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.
Dust and Splash Resistant Structure*
The lineup features the same dust and splash resistant structure* as the Sigma 150-600mm F5-6.3 DG OS HSM | Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.
* Although this construction allows the lens to be used in light rain, it is not the same as being waterproof.
100% metal body
The body is made completely of metal to stand up to tough professional use over the long term.
Laser engraving for enhanced durability
Information on rings and elsewhere is laser-engraved for use over the long term. In addition, tape may be placed on gradations without fear of stripping away paint when it is removed.
| Focal Length | 50 mm |
| T-stop | T1.5 - T16 |
| Number of Diaphragm Blades | 9 (Rounded diaphragm) |
| Close Focus | 0.4 m / 1'4 |
| Magnification Ratio | 1:5.6 |
| Image Circle | FF φ43.3 mm |
| Front Diameter | 95 mm / 3.7″ |
| Filter size | M 82 x 0.75 mm |
| Length | |
| Sony E-mount | 128 mm / 5.1″ |
| Weight | |
| Sony E-mount | 1.4 kg / 3 lb |
| Angle of View | |
| FF | 39.6° |
| S35 | 27.6° |
| APS-C | 26.7° |

















