Sound Devices 833 Mixer and Recorder

Raspoloživost: Isporuka 7-10 dana
SKU
SD833
  • 6 ultra low-noise, all-new microphone preamplifiers
  • 8 channels, 6 buses, 12 tracks
  • 6 analog outputs
  • Ultra-accurate timecode
41.175,00 kn 32.940,00 kn

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1x 833 Portable Compact Mixer-Recorder

The new Sound Devices 833 Portable Compact Mixer-Recorder has much of the same tech as in its Scorpio, which the company made clear was its top-of-the-line flagship, launched into the world for all who needed it. The 833 is more compact, sports fewer channels, and takes a lighter toll on your wallet than the Scorpio; however, it still brings in heavy artillery.

The 833 Mixer-Recorder

Six ultra-low-noise microphone preamplifiers, with a design ripped from the Scorpio, embolden the 833. Two SD card slots are on hand for recording to disc, and yet, the device houses a 256GB internal SSD, which you can use for redundancy or primary storage. The 833 gives you the ability to record to three media simultaneously for truly safe redundancy.

The processing architecture and multiple FPGAs come right from the Scorpio as well, ensuring the 833 is fully routable: any input can be routed to any track. With 32-bit converters on hand, the device can take a wallop in the gain department; it is virtually impossible to distort the digital-conversion stage with the preamp. Now, your mic is the only handicap in recording loud, dense, impactful recordings.

A device boasting a complement of both digital and analog I/O, the 833 gives you essential features like ultra-accurate timecode. Thanks to the unit’s multiple busses and flexible routing, you can send individual mixes to the camera, or custom mixes for different members of the crew if need be. Note, too, the multiple powering options—such as support for two L-Mount batteries and 10 to 18 VDC external power; it is clear this bit of kit is designed to integrate with your kit, whatever it looks like.

Good reader, there’s so much more to relate: remote control via Android devices or USB control surfaces; pre/post EQ for each channel; TA5 headset ports for intra-team communication; high-speed USB file transfer—indeed, you get the idea. If any of this piques your fancy, please peruse our website, or come by the SuperStore to pick up an 833 directly.

Frequency Response

  • 10 Hz to 80 kHz ± 0.5 dB (192 kHz sample rate, re 1 kHz)

THD + Noise

  • 0.005% max (mic in, 1 kHz, 22 Hz–22 kHz BW, trim at 20, fader at 0, -10 dBu in)

Equivalent Input Noise

  • -131 dBV (-129 dBu) max (mic in, A-weighting, 76 dB gain, 150 ohm source impedance)

Processing Engine

  • Highly extensible, full FPGA-based audio processing, 3 FPGAs
  • Six-way ARM multiprocessor system
  • 64-bit audio processing precision

Mic/Line inputs

  • 6 total, all fully featured; 3 on full-size XLR, 3 on TA3

Inputs

  • Mic-level inputs: (XLR, TA3): Class-A, discrete differential long-tail pair, 4k ohm input impedance
  • Line-level inputs: (XLR, TA3,): active-balanced, 4k ohm input impedance
  • 48V phantom: full 10mA to all 6 inputs simultaneously
  • AES3 or AES42 available on XLR input 1
  • AES42: +10 V, 250 mA available, mode-1, auto-ASRC
  • Aux (3.5 mm: unbalanced 2-channel, 4k ohm input impedance
  • Com Rtn (TA3, 3.5mm) balanced, 1-channel, 8k ohm input impedance
  • External Slate Mic (TA5): balanced, 8k ohm input impedance, menu-selectable 12 V phantom

Maximum Input Level

  • Mic: +8 dBu (2.0 Vrms)
  • Line: +28 dBu (19.5 Vrms)
  • Aux: +18 dBu (6.2 Vrms)
  • Com Rtn: +24 dBu (12.3 Vrms)
  • External Slate Mic: +12 dBu (3.2 Vrms)

High-Pass Filters

  • Adjustable 10 Hz to 320 Hz, 18 dB/oct. 1st stage analog (before preamp), 2nd stage digital.

Limiters

  • Limiters available at all channels, buses, headphones, for all sample rates
  • Analog first stage, all subsequent stages digital
  • Attack time: 1 ms
  • Release time: adjustable, 50 ms to 1000 ms
  • Threshold: adjustable, -2 dBFS to -12 dBFS
  • Selectable ratio: inf:1, 20:1, 18:1, 16:1, 14:1, 12:1, 10:1

Delay

  • Channel Adjustable 0-50 ms
  • Output Adjustable 0-500 ms

Maximum Gain

  • Trim stage (mic input): 76 dB
  • Trim stage (line input): 50 dB
  • Fader stage: 16 dB
  • Bus stage: 16 dB
  • Headphone stage: 20 dB
  • Mic-to-Line: 108 dB
  • Mic-to-Headphone: 112 dB
  • TA5 (along with mic input pins) for single connection to headset + mic High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven Compatible with headphones of any impedance

Outputs

  • XLR (L, R) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
  • TA3 (X1/X2) active-balanced, 250/3.2k/120 ohms (mic/-10/line)
  • 3.5mm (X3/X4): unbalanced, stereo, 1.8k ohms

Maximum Output Level (all into 10k load)

  • Line: +20 dBu (7.8 Vrms)
  • “-10”: +6 dBu (1.5 Vrms)
  • Mic: -20 dBu (0.078 Vrms)
  • X3/X4 Out: +6 dBu (1.5 Vrms)
  • Headphone outputs (¼”, TA-5): +14 dBu (4.0 Vrms)

Digital Outputs

  • AES3 transformer-balanced, in pairs; 1-2 (XLR-L), 3-4 (XLR-R), 110 ohm, 2 V p-p, AES and S/PDIF compatible

Headphone Outputs

  • ¼”, 3.5 mm
  • TA5 (along with mic input pins) for single connection to headset + mic
  • High output, 4 ohm output impedance, 400 mW + 400 mW at each connector, all individually driven
  • Compatible with headphones of any impedance

Recording

  • A/D converters |32-bit, 120 dB, A-weighted dynamic range typical
  • A/D converters |Sampling rates 44.1 kHz, 47.952 kHz, 48 kHz, 48.048 kHz, 88.2 kHz, 96 kHz, 192 kHz

Bit Depth

  • 16, 24

Recording

  • Internal 256 GB SSD; two removable SD Cards, 10% over-provisioned for optimum performance
  • Simultaneous recording to internal SSD and the two SD cards
  • exFAT formatting
  • 12 tracks (8 iso channels, 4 buses)
  • Broadcast WAV monophonic and polyphonic file format
  • 64-bit WAV (RF64) monophonic and polyphonic; support for files > 4 G
  • AAC 2 track at 48 kHz, selectable bit rate 32, 64, 128, 192, 256 kbps

Automatic Mixing

  • Dugan Automixer up to 8 channels on Left and Right Mix bus
  • MixAssist up to 8-channels on Left and Right Mix bus

USB

  • USB-C (USB 3.1 type 1) for file transfer of internal SSD, both SD Cards.
  • USB-A host for keyboard, external controller, external USB hubs supported for connecting multiple devices.

Timecode and Sync

  • Modes Supported: Off, Rec Run, Free Run, 24h Run, External, including External Auto-Record and Continuous modes.
  • Frame Rates: 23.98*, 24, 25, 29.97 DF, 29.97 ND, 30 DF, 30 ND
  • Sample/Timecode Accuracy: 0.1 ppm (0.25 frames per 24 hours)
  • Timecode Input: 20k ohm impedance, 0.3 V - 3.0 V p-p (–17 dBu - +3 dBu)
  • Timecode Output: 75 ohm impedance, 5 V p-p (+12 dBu)
  • Word Clock Input: 10k/75 ohm selectable impedance, 1-5 V p-p input sensitivity
  • Word Clock Output: 75 ohm impedance, 5 V p-p output, at SR

Remote Control

  • Sound Devices CL-12 Linear Fader Controller
  • USB MIDI MCU Control - supported 3rd party fader controllers
  • SD-Remote Android app
  • USB Keyboard
  • External Timecode Record Trigger

LCD

  • 320x240, Transflective, excellent sunlight visibility
  • Larger touchscreen display available via USB-connected SD-Remote app

Power

  • External: 10-18 V input on locking TA4 connector, pin-4 = (+), pin-1 = (-), supports Smart Battery telemetry
  • Dual rear-mount Sony-style L-mount batteries with chargers

Current Draw, at 12 V no battery charging

  • All mic preamps off: 845 mA
  • All mic preamps on: 1.03 A
  • All mic preamps on, 192 kHz sample rate, recording to internal SSD and 2 SD Cards: 1.21 A

  • Intelligent power-down of unused mic preamps and other internal circuits

Environmental

  • Operating: -20° C to 60° C, 0 to 90% relative humidity (non-condensing)
  • Storage: -40° C to 85° C

Dimensions (H x W x D)

  • 5.1 cm x 22 cm x 17 cm;
  • (2.0 in. x 8.7 in. x 6. in)

Weight

  • 2.75 lbs (unpackaged, without batteries)
  • 1.25 kg (unpackaged, without batteries)
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