FUJIFILM GFX100RF Black
by FujifilmLarge format photography has never been so portable. The compact, lightweight design of GFX100RF means its detail-rich 102-megapixel resolution can always be close at hand. With a precision-crafted aluminum body, tactile analog controls, and versatile aspect ratios, it brings creative joy to your hands, eyes, and heart.
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Sadržaj pakiranja
- FUJIFILM GFX100RF Black
- Li-ion battery NP-W235
- USB cable
- Shoulder strap
- Clip attaching tool
- Lens cap
- Lens hood
- Hood cap
- Adapter ring
- Protector filter
- Hot shoe cover
The One and Only
Large format photography has never been so portable. The compact, lightweight design of GFX100RF means its detail-rich 102-megapixel resolution can always be close at hand. With a precision-crafted aluminum body, tactile analog controls, and versatile aspect ratios, it brings creative joy to your hands, eyes, and heart.
Rangefinder Style
GFX100RF’s offset viewfinder offers a unique photographic experience that will help elevate your image making. True to other classic rangefinder-style models, its design is the perfect match for the small, fixed lens and quiet shutter, while also providing an active image-making experience where it’s easier to see and follow what lies beyond the frame.
A Small Body That Opens up a Big World
If a camera is smaller, you have more freedom.
If a camera is lighter, you can travel further.
If a camera is higher in resolution, memories are more vivid.
If you carry a camera every day, life is filled with endless possibilities.
Designed to fit any bag, GFX100RF weighs just 735g (1.62 lbs), making it an effortless carry. No matter where you are, the power of large format photography is always by your side, ready to deliver your own unique perspective.
Photography That Speaks to Your Senses
From the tactile pleasure of turning dials to the compositional creativity of the viewfinder, the design of GFX100RF delivers photographic pleasure in its purest form, seamlessly integrating you with the image-making process.
Aspect Ratio Dial
GFX100RF’s new Aspect Ratio dial lets you quickly select a frame shape to match your creative vision. From the iconic ratios that shaped photographic history – such as 5:4, 3:2, and 1:1 – to the ones that define Fujifilm’s legendary past – including 17:6, 3:4, and 65:24 – nine different options are available.
Dial in the Delight of Photography
The machined aluminum dials offer a tactile feel and an impeccably smooth movement to deliver an unparalleled user experience. Operating the dials is an interactive dialogue with your camera, with each adjustment of shutter speed, ISO, or aperture ring a moment to savor. Even the digital teleconverter transcends mere cropping or trimming, transformed into a physical delight through the action of its toggle selector.
Intuitive Interface, More Immersive Creative Experience
The UI provides all the necessary information while keeping your focus on image making. With the new 3:2 LCD, icons are optimally placed for clarity, while the new Surround View feature adds semi-transparent overlays or lines to show the area outside the frame, giving photographers greater freedom and a more immersive experience.
Precise, High-Magnification EVF
A viewfinder provides a crucial connection between the three-dimensional world and your two-dimensional image of it. GFX100RF’s 0.5-inch, 5.76 million dot OLED EVF has a maximum magnification of 0.84x to deliver a seamless connection between the two.
A Design That Inspires
GFX100RF combines cutting-edge technology with a classic design that evokes a sense of nostalgia. Accessible top-tier image quality. Holding the camera sparks excitement, and once you start using it, you’ll want to keep creating.
Uniquely Crafted
A camera isn’t just a tool for making images, it’s inherently part of the creative process. In GFX100RF, this philosophy comes to life with beautifully machined aluminum components, from top-plate and baseplate to aperture ring, hot shoe cover, and battery door. The sharp, defined edges, solid build quality, and unique warmth retained through its thermal properties create an unparalleled tactile experience. Each detail, crafted with the dedication of a master artisan, turns every interaction with the camera into a source of inspiration and joy.
Accessories Designed to Perform, Crafted to Inspire
Included accessories are equally impressive. The adapter ring, which has the same high-quality feel and precision as the body, integrates seamlessly with the lens hood. This not only enhances the design but also makes the camera weather-resistant when combined with filters. The high-quality strap offers the perfect balance of portability and security, making it an ideal solution for safe, comfortable handling.
A Natural View
The 35mm focal length (equivalent to 28mm in 35mm format) is revered for its natural perspective, closely matched to our field of vision. Paired with the remarkable 102-megapixel large format sensor, it creates a synergy that records the world with stunning clarity and precision.
Newly Designed 35mmF4 Lens
The lens uses ten elements in eight groups, including two aspherical lenses and Nano GI Coating to reduce reflections across the frame. This design keeps the lens compact while delivering excellent image quality. Sharpness is consistent from center to edges, while autofocus is smooth and accurate thanks to the DC motor. For the first time in GFX System, the lens includes a built-in 4-stop ND filter and leaf shutter that syncs flash at any shutter speed. These features give more creative control, especially when working outdoors in bright conditions.
Focusing Down to 20cm
With a minimum focus distance of just 20cm (7.87 in) from the front of the lens, GFX100RF invites you to get close enough to feel and experience the scene. As you move closer, the shallower depth-of-field creates stunningly soft bokeh to deliver a look only a large format camera can provide.
Overwhelming Image Quality
Image quality is one of the most important aspects of camera performance. It’s what allows you to record textures, delicate colors, and smooth tonal gradations – and create photos that can be cropped or printed large without losing detail. GFX100RF takes the core purpose of photography – recording moments – to the next level, making incredible results easy to achieve.
With its GFX 102MP CMOS II large format sensor, and the high-speed X-Processor 5 image processor, it sets a new standard. The redesigned pixel structure and microlens layout of the sensor provide a wide dynamic range, low noise, improved sharpness, and autofocus accuracy from edge to edge, combining to deliver the exceptional image quality GFX System is known for.
- EFFECTIVE PIXELS - 102 million pixels
- SENSOR SIZE - 43.8mmx32.9mm
Film Simulation
Gone are the days of using different cameras and films: with GFX100RF, you can easily switch between 20 Film Simulation modes and nine aspect ratios from frame to frame. Plus, custom settings let you reflect your personal preferences, opening up endless creative possibilities.
Redefining Large Format Performance
Fast and Accurate AF Performance
Thanks to improved algorithms, predictive autofocus and face/eye detection have evolved. Additionally, AI subject detection AF, which utilizes deep-learning technology, recognizes a wide range of subjects such as animals, vehicles, and birds. Tracking AF for video has also been enhanced, enabling easy subject tracking with touch controls.
Meeting the Needs of Visual Storytellers
GFX100RF delivers smooth 4K/30p 4:2:2 10-bit video recording. With a base ISO of 100, it offers low noise for shooting, while F-Log2 provides 13+ stops* of dynamic range for rich tonal expression and high flexibility in post-production. Additionally, it features digital image stabilization (DIS) to correct camera shake and walking motion during video recording.
Model Name | FUJIFILM GFX100RF |
Image Sensor | 43.8mm×32.9mm GFX 102MP CMOS II with primary color filter |
Number Of Effective Pixels | 102 million pixels |
Image Processing Engine | X-Processor 5 |
Storage Media | SD Card (-2GB) |
SDHC Card (-32GB) | |
SDXC Card (-2TB) | |
UHS-I | |
UHS-II | |
Video Speed Class V90 | |
SSD (-2TB) | |
*Please see the Fujifilm website (https://fujifilm-x.com/support/compatibility/cameras/) to check memory card compatibility. | |
File Format Of Still Image | |
DCF | Compliant with Design rule for Camera File system (DCF2.0) |
JPEG | Exif Ver.2.32 |
HEIF | 4:2:2 10bit |
RAW | 14bit / 16bit RAW (RAF original format) |
TIFF | 8bit / 16bit RGB (In-camera Raw Conversion Only) |
Notes | *Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing |
Number Of Recorded Pixels | [L] |
4:3: 11648 x 8736 | |
3:2: 11648 x 7768 | |
16:9: 11648 x 6552 | |
65:24: 11648 x 4304 | |
176: 11648 x 4112 | |
5:4: 10928 x 8736 | |
7:6: 10192 x 8736 | |
1:1: 8736 x 8736 | |
3:4: 6544 x 8736 | |
[M] | |
4:3: 8256 x 6192 | |
3:2: 8256 x 5504 | |
16:9: 8256 x 4640 | |
65:24: 8256 x 3048 | |
176: 8256 x 2912 | |
5:4: 7744 x 6192 | |
7:6: 7232 x 6192 | |
1:1: 6192 x 6192 | |
3:4: 4640 x 6192 | |
[S] | |
4:3: 4000 x 3000 | |
3:2: 4000 x 2664 | |
16:9: 4000 x 2248 | |
65:24: 4000 x 1480 | |
176: 4000 x 1408 | |
5:4: 3744 x 3000 | |
7:6: 3504 x 3000 | |
1:1: 2992 x 2992 | |
3:4: 2240 x 3000 | |
Lens | |
Type | FUJINON single focal length lens |
Focal Length | f=35mm (35mm format equivalent : 28mm) |
Max. Aperture | F4 |
Lens Configuration | 10 elements in 8 groups (includes 2 aspherical elements) |
ND Filter | Yes (4 stops) |
Aperture | F4 – F22 1/3EV step (controlled with 9-blade aperture diaphragm) |
Minimum focus distance (measured from the front of the lens) | Approx. 0.2m |
Digital Tele-Converter | 80mm(63mm) |
63mm(50mm) | |
45mm(36mm) | |
OFF | |
*The values in parentheses are 35mm format equivalent | |
Sensitivity | |
Still Image | |
Standard Output | AUTO1 |
AUTO2 | |
AUTO3 | |
ISO80~12800 (1/3 step) | |
Extended Output | ISO40 |
ISO25600 | |
ISO51200 | |
ISO102400 | |
Movie | |
Standard Output | AUTO |
ISO100~12800 (1/3 step) | |
Extended Output | ISO25600 |
Exposure Control | TTL 256-zone metering |
Multi | |
Spot | |
Average | |
Center Weighted | |
Exposure Mode | P (Program AE) |
A (Aperture Priority AE) | |
S (Shutter Speed Priority AE) | |
M (Manual Exposure) | |
Exposure Compensation | |
Still | -5.0EV~+5.0EV 1/3EV step |
Movie | -2.0EV~+2.0EV 1/3EV step |
Image Stabilizer | |
Digital Image Stabilization | Yes (movie mode only) |
IS MODE BOOST | Yes (movie mode only) |
Shutter Type | |
Lens Shutter | |
Shutter Speed | |
Mechanical Shutter | |
P Mode | 30sec. to 1/4000sec. |
A Mode | 30sec. to 1/4000sec. |
S/M Mode | 60min. to 1/4000sec. |
Bulb | up to 60min. |
Electronic Shutter | |
P Mode | 30sec. to 1/16000sec. |
A Mode | 30sec. to 1/16000sec. |
S/M Mode | 60min. to 1/16000sec. |
Bulb | 1sec. Fixed |
Notes | *The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. |
Mechanical + Electronic Shutter | |
P Mode | 30sec. to 1/16000sec. |
A Mode | 30sec. to 1/16000sec. |
S/M Mode | 60min. to 1/16000sec. |
Bulb | up to 60min. |
Notes | *Mechanical shutter works until 1/4000sec. |
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used. | |
Movie | |
4K/DCI4K | 1/4000sec. to 1/8 sec. |
FHD | 1/4000sec. to 1/8 sec. |
Notes | *Cannot choose slower shutter speed than framerate for some settings. |
Continuous Shooting | |
CH | |
Electronic Shutter | |
Approx. 3.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 508 frames |
Lossless Compressed RAW | 45 frames |
Uncompressed RAW | 20 frames |
Compressed RAW + JPEG | 41 frames |
Lossless Compressed RAW + JPEG | 29 frames |
Uncompressed RAW + JPEG | 16 frames |
Mechanical Shutter | |
Approx. 6.0fps | |
JPEG | 296 frames |
Compressed RAW | 40 frames |
Lossless Compressed RAW | 20 frames |
Uncompressed RAW | 17 frames |
Compressed RAW + JPEG | 19 frames |
Lossless Compressed RAW + JPEG | 15 frames |
Uncompressed RAW + JPEG | 12 frames |
Mechanical Shutter | |
Approx. 4.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 83 frames |
Lossless Compressed RAW | 25 frames |
Uncompressed RAW | 18 frames |
Compressed RAW + JPEG | 38 frames |
Lossless Compressed RAW + JPEG | 21 frames |
Uncompressed RAW + JPEG | 13 frames |
CL | |
Mechanical Shutter | |
Approx. 2.0fps | |
JPEG | 1000+ frames |
Compressed RAW | 1000+ frames |
Lossless Compressed RAW | 337 frames |
Uncompressed RAW | 26 frames |
Compressed RAW + JPEG | 312 frames |
Lossless Compressed RAW + JPEG | 42 frames |
Uncompressed RAW + JPEG | 20 frames |
Notes | *No. of recordable frames are calculated based on a cold start |
*Recordable frames depends on recording media | |
*Speed of continuous shooting depends on shooting environment and shooting frames | |
Drive Mode | |
AE Bracketing | 2 frames |
3 frames | |
5 frames | |
7 frames | |
9 frames | |
*by 1/3EV step, up to ±3EV steps | |
Filmsimulation Bracketing | Any 3 types of film simulation selectable |
Dynamic Range Bracketing | 100% |
200% | |
400% | |
ISO Sensitivity Bracketing | ±1/3EV |
±2/3EV | |
±1EV | |
White Balance Bracketing | ±1 |
±2 | |
±3 | |
Focus Bracketing | AUTO |
MANUAL | |
Multiple Exposure | Yes (Max. 9 frames) |
Additive | |
Average | |
Bright | |
Dark | |
Focus | |
Mode | Single AF |
Continuous AF | |
MF | |
Type | Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) |
Low-light Performance | |
Contrast | -0.0EV |
Phase Detection | -3.0EV |
AF Frame Selection | |
Single Point AF | 13×9 / 25×17 (Changeable size of AF frame) |
Zone AF | 3×3 / 5×5 / 7×7 / Custom1-3 from 117 areas on 13×9 grid |
All | Yes |
Subject Detection | Yes (Animal/Bird/Automobile/Motorcycle&Bike/Airplane/Train) |
Flash | |
Shoe Mount Flash | |
Sync. Mode | 1st Curtain |
2nd Curtain | |
Flash Mode | TTL (TTL AUTO / STANDARD / SLOW SYNC. ) |
MANUAL | |
MULTI *When EF-X500 is set | |
OFF | |
Hot Shoe | Yes (Dedicated TTL Flash compatible) |
Viewfinder | |
EVF | |
EVF | 0.5 inch OLED Color Viewfinder/Approx. 5.76 million dots |
Approx. 5.76 million dots | |
Coverage Of Viewing Area Vs. Capturing Area | Approx. 100% |
Eyepoint | Approx. 24mm (from the Rear End of the Camera’s Eyepiece) |
Diopter Adjustment | -5~+3m-1 |
Magnification | 0.84x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1 |
Diagonal Angle Of View | approx. 40° (Horizontal angle of view: approx. 32° ) |
Built-In Eye Sensor | |
LCD Monitor | |
LCD Monitor | 3.15 inch Tilt-Type Touch Screen Color LCD Monitor |
Aspect Ratio | 3:2 |
Dots | Approx. 2.10 million dots |
Touch Screen Mode | |
Shooting Mode | AF |
Focus Area | |
OFF | |
Double Tap Setting (ON/OFF) | |
Touch Function Setting (ON/OFF) | |
EVF Touch Screen Area Setting | |
Playback Mode | Swipe |
Pinch-in / Pinch-out | |
Double-tap | |
Drag | |
Movie Recording | |
File Format | |
MOV | Apple ProRes 422 HQ, Linear PCM (Stereo sound 24bit / 48KHz sampling) |
Apple ProRes 422, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
Apple ProRes 422 LT, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling) | |
MP4 | MPEG-4 AVC/H.264, AAC |
Movie Compression | All Intra |
Long GOP | |
DCI4K(17:9) | |
File Size | 4096 x 2160 |
Frame Rate | 29.97p |
25p | |
24p | |
23.98p | |
Bitrate | 720Mbps |
360Mbps | |
200Mbps | |
100Mbps | |
50Mbps | |
4K(16:9) | |
File Size | 3840 x 2160 |
Frame Rate | 29.97p |
25p | |
24p | |
23.98p | |
Bitrate | 720Mbps |
360Mbps | |
200Mbps | |
100Mbps | |
50Mbps | |
Full HD(17:9) | |
File Size | 2048 x 1080 |
Frame Rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 720Mbps |
360Mbps | |
200Mbps | |
100Mbps | |
50Mbps | |
Full HD(16:9) | |
File Size | 1920 x 1080 |
Frame Rate | 59.94p |
50p | |
29.97p | |
25p | |
24p | |
23.98p | |
Bitrate | 720Mbps |
360Mbps | |
200Mbps | |
100Mbps | |
50Mbps | |
Notes | *Selectable mode will be changed depending on the “Image Format” setting. |
*For recording movies, use a SD memory card with UHS Speed Class 3 or higher. | |
*For recording movies in 360Mbps, use a SD memory card with Video Speed Class 60 or higher. | |
*For recording movies in 720Mbps, use a SD memory card with Video Speed Class 90 or higher. | |
*Selectable bitrate will be changed depends on the setting. | |
*Apple ProRes codec can be only recorded to SSD | |
*Bitrate for Apple ProRes codec is not selectable. | |
*Recording time can become short depending on the temperature and/or shooting conditions | |
Film Simulation Mode | 20 modes |
PROVIA/Standard | |
Velvia/Vivid | |
ASTIA/Soft | |
Classic Chrome | |
REALA ACE | |
PRO Neg.Hi | |
PRO Neg.Std | |
Classic Neg. | |
Nostalgic Neg. | |
ETERNA/Cinema | |
ETERNA BLEACH BYPASS | |
ACROS | |
ACROS + Ye Filter | |
ACROS + R Filter | |
ACROS + G Filter | |
Black & White | |
Black & White + Ye Filter | |
Black & White + R Filter | |
Black & White + G Filter | |
Sepia | |
Monochromatic Color | Yes |
Grain Effect | |
Roughness | STRONG, WEAK, OFF |
Size | LARGE, SMALL |
Color Chrome Effect | STRONG, WEAK, OFF |
Color Chrome Blue | STRONG, WEAK, OFF |
Smooth Skin Effect | STRONG, WEAK, OFF |
Dynamic Range Setting | |
Still | |
Still | AUTO / 100% / 200% / 400% |
ISO Restriction | DR100%: No limit、DR200%: ISO160 or more、DR400%: ISO320 or more |
Movie | |
Movie | 100% / 200% / 400% |
ISO Restriction | DR100%: No limit、DR200%: ISO200 or more、DR400%: ISO400 or more |
White Balance | |
Auto | White Priority |
Auto | |
Ambience Priority | |
Custom | Custom1 – 3 |
Color Temperature Selection | 2500K~10000K |
Preset | Daylight |
Shade | |
Fluorescent Light-1 | |
Fluorescent Light-2 | |
Fluorescent Light-3 | |
Incandescent Light | |
Underwater | |
Clarity Setting | ±5 steps |
Self-timer | |
Still | 10sec. |
2sec. | |
Movie | 10sec. |
5sec. | |
3sec. | |
Interval Timer Shooting | Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing, Interval priority mode) |
Wireless Transmitter | |
Standard | IEEE802.11a/b/g/n/ac (standard wireless protocol) |
Encryption | WPA/WPA2 mixed mode, WPA3 |
Access Mode | Infrastructure |
Bluetooth® | |
Standartd | Bluetooth Ver. 4.2 (Bluetooth low energy) |
Operating Frequency (Center Frequency) | 2402〜2480MHz |
Terminal | |
Digital Interface | USB Type-C USB 10Gbps |
HDMI Output | HDMI Micro connector (Type D) |
Others | ø3.5mm, stereo mini connector (Microphone & Remote Release) |
ø3.5mm, stereo mini connector (Headphone) | |
Hot shoe | |
Power Supply | |
Power Supply | NP-W235 Li-ion battery (included) |
Battery Life For Still Images | |
Normal Mode | Approx. 820 frames |
Notes | *Auto power save ON |
Actual Battery Life Of Movie Capture | |
4K | Approx. 100min. (29.97p) |
Full HD | Approx. 90min. (59.94p) |
Notes | *Face detection is set to OFF |
Continuance Battery Life Of Movie Capture | |
4K | Approx. 140min. (29.97p) |
Full HD | Approx. 140min. (59.94p) |
Notes | *Face detection is set to OFF |
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard. | |
Dimensions | |
Width | 133.5mm |
Height | 90.4mm |
Depth | 76.5mm |
(Minimum Depth) | 37.2mm |
Weight | |
Including Battery And Memory Card | Approx. 735g |
Excluding Battery And Memory Card | Approx. 654g |
Operation Environment | |
Operating Temperature | -10℃~+40℃ |
Operating Humidity | 10%~80% (no condensation) |
Starting up period | Approx. 0.6sec. |
Accessories Included | Li-ion battery NP-W235 |
USB cable | |
Shoulder strap | |
Clip attaching tool | |
Lens cap | |
Lens hood | |
Hood cap | |
Adapter ring | |
Protector filter | |
Hot shoe cover | |
*1 ProRes codec can be recorded to only SSD | |
*2 Bit rate will be changed depend on the subject | |
*3 Bit rate for ProRes codec can not be selected | |
*4 The resolution from HDMI output is different from selected setting | |
*5 When the aspect ratio is not 16:9, the image is output in 16:9 with a black band. |