RED DSMC2 BRAIN w/ DRAGON-X 6K S35

by RED
Dostupnost: Isporuka 14-20 dana
SKU
710-0317

RED DSMC2 BRAIN w/ DRAGON-X 6K S35

19.125,00 € 15.300,00 €

Sadržaj pakiranja

  • DSMC2 BRAIN w/ selected sensor
  • DSMC VV Al PL Mount 2.0 (MONSTRO Only)
  • DSMC Front Body Cap (HELIUM, GEMINI, & DRAGON-X Only)
  • DSMC2 VV Standard OLPF (MONSTRO Only)
  • DSMC2 S35 Standard OLPF (HELIUM, GEMINI, DRAGON-X Only)
  • DSMC AC Power Adaptor
  • 2-Year Standard Warranty

RED cameras deliver stunning resolution and image quality—creating clean and organic images that bring your footage to life. The MONSTRO and HELIUM sensors take the next step in exceeding beauty offered by film - up to 17x more resolution than HD—and over 4x more than 4K. For flexibility in any situation, GEMINI is RED's highest sensitivity sensor to date and offers significantly increased performance in low-light settings and improved performance in shadows. DRAGON-X features the industry workhorse and award-winning DRAGON sensor, now with IPP2, delivering 6K cinematic imagery in a Super 35 format. A DSMC2 BRAIN is capable of data write speeds of 300 MB/s, and can simultaneously record in REDCODE RAW and Apple ProRes or Avid DNxHR/HD.

With features like cable-free peripherals, integrated media bay, wireless control, and more—DSMC2 is also compatible with a growing arsenal of modules and accessories—from RED and other Third-Party manufacturers. Tack on interchangeable OLPFs and lens mounts and DSMC2 gives you the ultimate control over your footage.

NOTE: The DSMC2 BRAIN® itself does not have a DC IN power port. A port expander or power module is required to power the camera. To construct a working configuration for any BRAIN, RED recommends an expanderbatterylens mountdisplay, and media.

NOTE: All DSMC2 BRAINs ship with a standard OLPF; an OLPF 2-pack is available for Skin Tone-Highlight and Low Light shooting environments.

SENSOR TYPE DRAGON-X 19.4 Megapixel CMOS
EFFECTIVE PIXELS 6144 × 3160
SENSOR SIZE 30.7 mm x 15.8 mm (Diagonal: 34.5 mm)
DYNAMIC RANGE 16.5+ stops
MAX FRAME RATES(1) 75 fps at 6K Full Format (6144 x 3160), 100 fps at 6K 2.4:1 (6144 x 2592)
  96 fps at 5K Full Format (5120 x 2700), 120 fps at 5K 2.4:1 (5120 x 2160)
  120 fps at 4K Full Format (4096 x 2160), 150 fps at 4K 2.4:1 (4096 x 1728)
  150 fps at 3K Full Format (3072 x 1620), 200 fps at 3K 2.4:1 (3072 x 1296)
  240 fps at 2K Full Format (2048 x 1080), 300 fps at 2K 2.4:1 (2048 x 864)
MAX DATA RATES Up to 300 MB/s using RED MINI-MAG® (480GB, 512GB, 960GB & 1TB)
  Up to 225 MB/s using RED MINI-MAG (120GB & 240GB)
PLAYBACK FRAME RATES (PROJECT TIMEBASE) 23.98, 24, 25, 29.97, 30, 47.95, 48, 50, 59.94, 60 fps, all resolutions
REDCODE SETTINGS 3:1 REDCODE at 6K Full Format (6144 x 3160) and 24 fps
RANGE FROM 2:1 UP TO 22:11 7:1 REDCODE at 6K Full Format (6144 x 3160) and 60 fps
  2:1 REDCODE at 4K Full Format (4096 x 2160) and 24 fps
  6:1 REDCODE at 4K Full Format (4096 x 2160) and 120 fps
REDCODE RAW 6K Full Format (6144 x 3160), 2:1, 2.4:1, 16:9, 3:2, 6:5, 4:1, 8:1, and Ana 2x, 1.3x, 1.25x
ACQUISITION FORMATS(2) 5K Full Format (5120 x 2700), 2:1, 2.4:1, 16:9, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  4K Full Format (4096 x 2160), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  3K Full Format (3072 x 1620), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
  2K Full Format (2048 x 1080), 2:1, 2.4:1, 16:9, 3:2, 4:3, 5:4, 6:5, 4:1, 8:1, and Ana 2x, 1.3x
APPLE PRORES ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 4K (4096 × 2160) up to 30 fps
  ProRes 4444 XQ and ProRes 4444 at 2K (2048 × 1080) up to 120 fps
  ProRes 422 HQ, ProRes 422 and ProRes 422 LT at 2K (2048 × 1080) up to 120 fps
AVID CODECS(3) DNxHR HQX at 4K (4096 × 2160) 12-bit up to 30 fps
  DNxHR HQ, SQ and LB at 4K (4096 × 2160) 8-bit up to 30 fps
  DNxHR 444 at 2K (2048 × 1080) 12-bit up to 120 fps
  DNxHD 444 and HQX (1920 × 1080) 10-bit up to 120 fps
  DNxHD HQ and SQ (1920 × 1080) 8-bit up to 120 fps
CONSTRUCTION Aluminum Alloy
WEIGHT 3.35 lbs (BRAIN with Integrated Media Bay)
DC IN POWER INPUT 11.5 V DC to 17 V DC (requires an expander with DC-IN)
OPERATING TEMPERATURE 0°C to 40°C (32°F to 104°F)
STORAGE TEMPERATURE –20°C to 50°C (–4°F to 122°F)
RELATIVE HUMIDITY 0% to 85% non-condensing
COLOR MANAGEMENT Supports 33×33×33, 32×32×32, 26×26×26, and 17×17×17 3D LUTs
  Variable number of 3D LUT outputs with DSMC2 expander module
  User programmable shaper 1D LUTs
  Tetrahedral interpolation, 16-bit processing
AUDIO Integrated dual channel digital stereo microphones, uncompressed, 24-bit 48 kHz
  Optional 2 additional channels with DSMC2 expander module, uncompressed, 24-bit 48 kHz
REMOTE CONTROL Integrated R.C.P. WiFi antenna
  Ethernet, RS232, and GPI Trigger with DSMC2 expander module
MONITOR OUTPUTS 3G-SDI (HD-SDI) and HDMI with DSMC2 expander module
  1080p RGB or 4:2:2, 720p RGB or 4:2:2
  480p RGB or 4:2:2 (HDMI only)
  SMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio
MONITOR OPTIONS DSMC2 RED Touch 4.7" LCD, DSMC2 RED Touch 7.0" LCD and DSMC2 RED EVF (OLED) with cable-free connection.
  RED Touch 9.0" LCD, RED Touch 7.0" LCD, RED Touch 5.0" LCD, RED PRO 7" LCD, BOMB EVF (OLED) and BOMB EVF (LCOS) compatible with DSMC2 LCD/EVF Adaptor A and LCD/EVF cable.
REDCINE-X PRO 4K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
DELIVERY FORMATS 2K: DPX, TIFF, OpenEXR (.RED via RRencode plugin)
  1080p RGB 4:2:2, 720p 4:2:2 : QuickTime, JPEG, AVID AAF, MXF
  1080p 4:2:0, 720p 4:2:0 : H.264, .MP4
VIDEO EDITING SOFTWARE Adobe Premiere Pro, AVID Media Composer,
COMPATIBILITY(4) DaVinci Resolve, Edius Pro, Final Cut Pro, Vegas Pro
Note Tech specs reflect both current and projected information. Everything is subject to change.
  1. REDCODE values and max frame rates may vary based on selected acquisition format, aspect ratio, project time base, Lookaround setting, and SSD. For more information on available REDCODE compression settings for all formats, see the DSMC Media Operation Guide.
  2. For more information on available acquisition formats, see the DSMC Operation Guides.
  3. Avid DNxHD/HR Codecs recording support added to DSMC2 firmware v6.3 or later.
  4. Third-party non-linear editing (NLE) applications may have limited compatibility with R3D files.
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