Sony Advanced Kit for Dental Photography
by SonySony Advanced Kit for Dental Photography (Sony Alpha a7 IV Camera Body, Sony 90mm f/2.8 G Macro Lens, Sony FA-WRC1M Wireless Radio Commander, Sony HVL-F28RM Wireless Radio Flash, Godox MF-DB Dual Head Bracket for Dental Flash).
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Sadržaj pakiranja
Sony Alpha a7 IV Camera Body
- Sony Alpha a7 IV Mirrorless Digital Camera (Body Only)
- Sony NP-FZ100 Rechargeable Lithium-Ion Battery (2280mAh)
- AC Adapter and Power Cord
- Sony ALC-B1EM Body Cap for E-Mount Cameras
- Shoulder Strap
- Accessory Shoe Cap
- Eyepiece Cup
- USB Type-C to Type-A Cable
Sony 90mm f/2.8 G Macro Lens
- Sony FE 90mm f/2.8 Macro G OSS Lens
- ALC-SH138 Lens Hood
- ALC-F62S 62mm Front Lens Cap
- ALC-R1EM Rear Lens Cap
- Lens Pouch
Sony FA-WRC1M Wireless Radio Commander
- Sony FA-WRC1M Wireless Radio Commander
- Connector Protect Cap
- Case
2x Sony HVL-F28RM Wireless Radio Flash
- Sony HVL-F28RM External Flash
- Carrying Pouch
- Mini Stand
- Connector Cap
Godox MF-DB Dual Head Bracket for Dental Flash
- Godox MF-DB Dual Head Bracket for Dental Flash
Sony Alpha a7 IV Camera Body
The newly developed 33MP Exmor R CMOS sensor pairs with the BIONZ XR processor from the Alpha 1 to achieve quick shooting up to 10 fps and 4K 60p video recording, along with broad sensitivity up to ISO 51200 and a wide 15+ stop dynamic range. Beyond image quality, the sensor and processor also contribute to an advanced AI-based AF system that supports Real-time Eye AF and Real-time Tracking for intuitive AF control and subject tracking.
This fourth-generation of the a7 camera also sports an updated body design that houses a higher resolution 3.68m-dot EVF, vari-angle touchscreen LCD, and dual memory card slots, including one dual CFexpress Type A/SD UHS-II slot. Connectivity and streaming are also a key attribute of this camera, and it supports a simple plug-and-play design for live streaming directly from the camera when connected to a computer via USB.
Sensor and Processor
33MP Exmor R BSI CMOS Sensor
BIONZ XR Processor
In terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.
Advanced External Flash Control
Video Recording
4K 60p Video Recording in 10-Bit
- Making full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 30p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.
- There is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.
- No recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.
- The a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb/s.
S-Cinetone, S-Log3, and Other Color and Gamma Controls
- S-Cinetone can be used to deliver distinct colors and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This color profile offers natural mid-tones, soft colors, and especially well-controlled highlights.
- HLG (Hybrid Log-Gamma) support permits recording within a wide color gamut for producing HDR-ready content directly from the camera.
- S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.
Fast Hybrid AF System
AI-Based Autofocus
Real-time Tracking and Real-time Eye AF
- Real-time Tracking is an AI-based subject recognition system that recognizes color, pattern, and subject distance information for high accuracy and focusing speed.
- Beyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognizes human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.
AF During Video Recording and Additional Focusing Modes
- Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
- For more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.
- A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening.
- Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
- A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
Body Design, Connectivity, and Streaming
Viewfinder and LCD Screen
- An improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.
- Perfect for vlogging or other self-recording needs, the side-opening 3.0" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.
Hybrid Stills and Video Body Design
- New to the Alpha line, there is a convenient Still/Movie/S&Q dial, beneath the shooting mode dial, that allows for quick changing between different recording modes. By changing between stills and movie recording modes, the menu system and custom buttons will change for more intuitive and practical use.
- Customizable interface permits assigning 169 functions across 18 different buttons and the new rear dial R.
- Dual memory card slots allow for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. One slot is a dual CFexpress Type A and SD slot and the other is solely an SD card slot; both are rated to support UHS-II memory cards.
- Updated menu structure is more intuitive and complements having different workflows and settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
- Accepts the high-capacity NP-FZ100 rechargeable lithium-ion battery, which provides approximately 520 shots per charge when working with the viewfinder or 580 shots when working with the rear LCD.
Ports and Interface
- Full-size HDMI A port offers a more reliable connection when working with external recorders.
- A USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.
- Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
- Multi Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.
- USB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.
5-Axis SteadyShot INSIDE Image Stabilization
- Enhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilization system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.
- For long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilization will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilization.
- Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera.
Wireless Connectivity and Streaming
- Built-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.
- Use of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.
- Live streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.
- 4K 15p, FHD 60p/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.
- Internal recording is supported to a memory card while live streaming.
- UVC and UAC standards are supported for improved picture and sound quality during streaming.
- Supports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.
Sony 90mm f/2.8 G Macro Lens
Get up close and personal with the 1:1 magnification ratio of the full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony's E-mount cameras. As a G series lens, it perfectly balances sharpness and bokeh through the use of various specialized elements, this ensures highly detailed images, with smooth out-of-focus areas, and an absolute minimum of aberrations. The lens also boasts a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light as well as a Nano AR coating that help eliminate ghosting and flare.
Critical to macro is accurate focusing, which is assisted by the speedy Direct Drive Super Sonic wave Motor present in the 90mm lens. Users also have direct access to a focus hold button and focus range limiter for further optimizing the lens' performance in certain situations. On top of this, the focusing ring slides for immediate switching between manual and auto focusing. And, the lens has built-in Optical SteadyShot image stabilization for compensating for camera shake at all focusing distances.
Sony FA-WRC1M Wireless Radio Commander
Create a versatile and reliable off-camera flash setup by picking up the FA-WRC1M Wireless Radio Commander from Sony.
- Up to 30m (98.4ft) radio wireless range for reliable and precise control in any setting
- Controls up to 15 compatible flash units, and 5 groups, using wireless receivers
- Three exposure controls with convenient TTL (through-the-lens) metering, manual and group modes
- Built-in Sync Terminal
- Remote control multi camera shutter release with FA-WRR1 wireless receivers and multi-terminal cables
Sony HVL-F28RM Wireless Radio Flash
This high-output GN28 flash offers the type of optimised performance and control that only a genuine Sony product can provide. It can be controlled directly from the camera and is small enough to fit in a pocket while offering professional durability as well as wireless radio communication for a wide range of applications.
Made by Sony for stunning images
The HVL-F28RM offers exceptional performance and stability with the α7 series2. It offers versatile features and detailed control plus the solid reliability needed for professional and advanced amateur applications in a compact, portable unit.
An ideal GN281 flash for compact mirrorless cameras
The flash head and internal layout of the HVL-F28RM have been redesigned for reduced size and greater portability, making it a perfect match for compact mirrorless cameras. Although it slips easily into a pocket, the HVL-F28RM delivers output that rivals the high-end HVL-F45RM at the same illumination angle and can be effectively used for bounce lighting in a wide range of shooting situations.
High reliability and durability in a compact flash unit
Metal shoe foot with rugged side frame
The Multi Interface shoe features a newly developed metal shoe foot with rugged side frame, significantly increasing strength and reliability.
Dust and moisture resistant design
Like Sony’s high-end flash units, the HVL-F28RM features a dust and moisture design3 that can withstand the rigours of professional work, even in challenging outdoor environments
Effective overheating prevention
An optimised flash control algorithm provides excellent flash performance while effectively preventing overheating for long-term stability and reliability.
Comprehensive control from the camera
Flash compensation, light ratio, and other detailed flash parameters can be controlled directly from a compatible camera2. A camera custom key can be assigned to call up the flash parameter display so that adjustments can be made while looking through the viewfinder and gripping the camera. Flash parameters are shown in the selected camera display language.
High-end features and control in a portable unit
Direct output adjustment for quick operation
Dedicated light output level buttons (LEVEL -/+ buttons) directly control light output and flash compensation for fast, efficient operation. The light output of other wirelessly paired flash units can also be adjusted in this way for a smooth, stress-free workflow.
Comprehensive flash features
The HVL-F28RM also includes the same high-speed sync, multi-flash, and other flash features as the HVL-45RM and HVL-60RM.
Godox MF-DB Dual Head Bracket for Dental Flash
This MF-DB Bracket from Godox is designed to hold two separately available MF12 flashes simultaneously. You can easily adjust each flash individually for optimal and precise positioning at different angles.
- Mounts Two Godox MF12 Flashes
- Provides Adjustable Positioning
| Sony Alpha a7 IV Camera Body | |
|
Imaging |
|
| Lens Mount | Sony E |
| Sensor Type | 35.9 x 23.9 mm (Full-Frame) CMOS |
| Sensor Resolution | Actual: 34.1 Megapixel |
| Effective: 33 Megapixel | |
| Crop Factor | None |
| Aspect Ratio | 1:1, 3:2, 4:3, 16:9 |
| Image File Format | JPEG, Raw, HEIF |
| Bit Depth | 14-Bit |
| Image Stabilization | Sensor-Shift, 5-Axis |
|
Exposure Control |
|
| ISO Sensitivity | Auto, 100 to 51200 (Extended: 50 to 204800) |
| Shutter Speed | 1/8000 to 30 Second |
| Bulb Mode | |
| Metering Method | Center-Weighted Average, Highlight Weighted, Multiple, Spot |
| Exposure Modes | Aperture Priority, Manual, Program, Shutter Priority |
| Exposure Compensation | -5 to +5 EV (1/3 EV Steps) |
| Metering Range | -3 to 20 EV |
| White Balance | Auto, Cloudy, Color Temperature, Color Temperature Filter, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater |
| Continuous Shooting | Up to 10 fps at 33 MP for up to 828 Frames (Raw) / Unlimited Frames (JPEG) |
| Interval Recording | Yes |
| Self-Timer | 2/5/10-Second Delay |
|
Video |
|
| Recording Modes | H.265/XAVC HS 4:2:2 10-Bit |
| UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [50 to 200 Mb/s] | |
| H.265/XAVC HS 4:2:0 10-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/50p/59.94p [30 to 150 Mb/s] | |
| H.264/XAVC S-I 4:2:2 10-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [240 to 600 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [89 to 222 Mb/s] | |
| XAVC S 4:2:2 10-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [100 to 200 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p [50 Mb/s] | |
| XAVC S 4:2:0 8-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p [60 to 150 Mb/s] | |
| Full HD (1920 x 1080) at 23.976p/25p/29.97p/50p/59.94p/100p/119.88p [16 to 100 Mb/s] | |
| External Recording Modes | 4:2:2 10-Bit |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p | |
| Full HD (1920 x 1080) at 23.976p/50p/59.94p | |
| Full HD (1920 x 1080) at 50i/59.94i | |
| 4:2:0 8-Bit | |
| UHD 4K (3840 x 2160) at 23.976p/25p/29.97p/50p/59.94p | |
| Full HD (1920 x 1080) at 23.976p/50p/59.94p | |
| Full HD (1920 x 1080) at 50i/59.94i | |
| Recording Limit | Unlimited |
| Video Encoding | NTSC/PAL |
| Audio Recording | Built-In Microphone (Stereo) |
| External Microphone Input (Stereo) | |
| Audio File Format | AAC, Linear PCM (Stereo) |
| Live Streaming | Yes |
| Webcam Functionality | Yes |
|
Focus |
|
| Focus Type | Auto and Manual Focus |
| Focus Mode | Continuous-Servo AF (C), Direct Manual Focus (DMF), Manual Focus (M), Single-Servo AF (S) |
| Autofocus Points | Phase Detection: 759 |
| Contrast Detection: 425 | |
| Autofocus Sensitivity | -4 to +20 EV |
|
Viewfinder |
|
| Viewfinder Type | Electronic (OLED) |
| Viewfinder Size | 0.5" |
| Viewfinder Resolution | 3,680,000 Dot |
| Viewfinder Eye Point | 23 mm |
| Viewfinder Coverage | 100% |
| Viewfinder Magnification | Approx. 0.78x |
| Diopter Adjustment | -4 to +3 |
|
Monitor |
|
| Size | 3.0" |
| Resolution | 1,036,800 Dot |
| Display Type | Free-Angle Tilting Touchscreen LCD |
|
Flash |
|
| Built-In Flash | No |
| Flash Modes | Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync |
| Maximum Sync Speed | 1/250 Second |
| Flash Compensation | -3 to +3 EV (1/3, 1/2 EV Steps) |
| Dedicated Flash System | TTL |
| External Flash Connection | Hot Shoe |
|
Interface |
|
| Media/Memory Card Slot | Slot 1: CFexpress Type A / SD (UHS-II) |
| Slot 2: SD/SDHC/SDXC (UHS-II) | |
| Connectivity | HDMI A (Full Size), USB Type-C (USB 3.2 Gen 2), USB Micro-B (USB 2.0), 3.5mm Microphone, 3.5mm Headphone |
| Wireless | Wi-Fi |
| Bluetooth | |
| GPS | No |
|
Environmental |
|
| Operating Temperature | 32 to 104°F / 0 to 40°C |
|
Physical |
|
| Battery | 1 x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Approx. 520 Shots) |
| Dimensions (W x H x D) | 5.2 x 3.8 x 3.1" / 131.3 x 96.4 x 79.8 mm |
| Weight | 1.4 lb / 658 g (Body with Battery and Memory) |
| Sony 90mm f/2.8 G Macro Lens | |
| Performance | |
| Focal Length | 90mm |
| Aperture | Maximum: f/2.8 |
| Minimum: f/22 | |
| Camera Mount Type | Sony E |
| Format Compatibility | 35mm Film / Full-Frame Digital Sensor |
| Angle of View | 27° |
| Minimum Focus Distance | 11.02" (28 cm) |
| Magnification | 1x |
| Maximum Reproduction Ratio | 1:01 |
| Elements/Groups | 15.stu |
| Diaphragm Blades | 9, Rounded |
| Features | |
| Image Stabilization | Yes |
| Autofocus | Yes |
| Tripod Collar | No |
| Physical | |
| Filter Thread | Front: 62 mm |
| Dimensions (DxL) | Approx. 3.11 x 5.14" (79.0 x 130.5 mm) |
| Weight | 1.32 lb (602 g) |
| Sony FA-WRC1M Wireless Radio Commander | |
| Microphone Compatibility | |
| Compatible Cameras | Sony interchangeable-lens digital cameras |
| External Connecters | |
| Multi Interface Foot | Yes |
| Multi/Micro USB | Yes |
| Sync terminal | Yes (Output) |
| Power | |
| Power Source | Two AA-size alkaline or NiMH batteries |
| Operating time | Approx. 12 hours (with alkaline batteries) |
| Size & Weight | |
| Dimensions (W x H x D) | Approx. 58.0 x 65.8 x 83.7 mm |
| Weight | Approx. 93 g (excl. batteries) |
| Wireless Functions | |
| Channels | 14 (Auto/Manual selectable) |
| Communication | Radio |
| Frequencies | 2.4 GHz band |
| Groups | 3 groups (TTL/Manual), 5 groups (Group) |
| High-speed sync (HSS) | Available at all shutter speeds with Sony interchangeable-lens digital cameras that feature the Multi Interface Shoe |
| Max. Flash Units | 15 |
| Max. Range | Approx. 30 meters |
| Operating Modes | Wireless Flash (TTL/Manual/Group), Remote Release |
| Power level switching | 25 levels (1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64, 1/128, 1/256) 1/3 steps |
| Test flash | Test button provided |
| Others | |
| Operating Temperature | '0°C ~ +40°C |
| Sony HVL-F28RM Wireless Radio Flash | |
| Flash Head | |
| Guide Number | 91.9' / 28 m at ISO 100 (50 mm Position) |
| Coverage | Full-Frame |
| 50 mm | |
| 24 mm (with Wide-Angle Adapter) | |
| Bounce Head | 0 to +120° |
| Swivel Head | No |
| Flash Duration | 1/625 Second at Full Power |
| Recycle Time | Approx. 0.1 to 6.4 Seconds |
| Secondary Illumination | No |
| Exposure Control | |
| Exposure Control | Sony ADI / P-TTL |
| Flash Modes | Hi-Speed Sync, Slow Sync |
| Power Range | 1/1 to 1/256 (Manual) |
| Wireless | |
| Wireless Operation | Radio (TTL/Manual) |
| Up to 114.8' / 35 m | |
| Wireless Channels | 14 |
| Wireless Groups | 5 |
| Power | |
| Internal Power | 2x AA (Alkaline, NiMH) |
| External Power Pack Compatible | No |
| General | |
| Mount | Sony Multi-Interface Shoe |
| Off-Camera Terminal | No |
| Dimensions (W x H x D) | 2.6 x 3.3 x 3.6" / 65.1 x 83.5 x 91.4 mm |
| Weight | 7.7 oz / 219 g |
| Packaging Info | |
| Package Weight | 0.73 lb |
| Box Dimensions (LxWxH) | 6.5 x 3.9 x 3.1" |
| Godox MF-DB Dual Head Bracket for Dental Flash | |
| Compatibility | Godox MF12 Flash |
| Environmental Protection | No |
- Novo
- Novo
