Kinefinity Mavo Edge 8K Cinema Camera

Raspoloživost: Isporuka 7-10 dana

planirana isporuka rujan 2020.

Powerful 8K ProRes RAW
Dual independent SDI outputs
Newly Designed Carbon Fiber Body

108.900,00 kn 87.120,00 kn

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  • Kinefinity Mavo Edge 8K Cinema Camera body

Kinefinity's MAVO Edge is a large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 75P CMOS imaging sensor and cutting-edge image processing engine, which elevate the Kinefinity camera system to a whole new level. Featuring internal motorized full- spectrum e-ND, more industry-standard ports and dual SSD media slots, the highly integrated MAVO Edge still remains very compact and lightweight. At the same time, Kinefinity brings Apple ProRes RAW to the MAVO Edge as an in-camera codec to make the RAW workflow easier.

Stunning 8K 75P Imaging Sensor - The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 800/3200 dual native ISO, 8K Wide up to 75fps and latitude up to 14+ stops. Even at open gate 3:2 , surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 48 frames per second. All of these features allow cinematographers to create without boundaries, no matter for feature movies, production with VFX, high-end TV commercial and series, even wild-life documentaries. Not just getting highest resolution for motion pictures, MAVO Edge ensures natural color, pleasing skin tones, low noise, high dynamic range and stunning details in organic and delicate way, cinematically.

Benefiting from a greatly upgraded, cutting-edge image processing platform, MAVO Edge can capture images as 100fps at 6K Wide or 160fps at 4K Wide. At the same time, MAVO Edge also supports oversampling in Full Frame mode to output 6K or 4K resolutions which will result in more details and latitude with the same optical format.

Powerful 8K ProRes RAW - MAVO Edge can directly record Apple's newest ProRes RAW codec which has been highly expected by the video industry from 2018 NAB. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes RAW encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body. Aside from this, MAVO Edge also supports in-camera ProRes4444/XQ, ProRes422HQ, and H264 proxy.

Based on the efficient ProRes codec system recognized by Hollywood's filmmaking industry, Apple Inc. introduced a universal RAW codec which supports the recording of RAW footage, delivers the flexibility of RAW video with the incredible performance of ProRes in a format ideal for high-dynamic-range (HDR) content creation. For now, ProRes RAW can be edited and graded in Apple Final Cut Pro X, Assimilate SCRATCH, Filmlight Baselight and so on. Adobe software is also expected to support ProRes RAW natively this year.

Newly Designed Carbon Fiber Body - MAVO Edge utilizes an integrated body design with a new internal architecture. The integrated functions and interfaces of every module are redesigned or optimized to allow the MAVO Edge possess more industry standard interfaces in an effort to increase compatibility with third-party accessories. Thanks to the carbon fiber materials, this big guy with numerous industry-standard interfaces and complete functions weighs only 1.2kg, thus helping filmmakers get the job done in a more flexible and efficient way.

Internal motorized FS e-ND system - Kinefinity integrates the motorized FS e-ND system inside the camera for the first time. Switching between clear glass and e-ND filter is motorized and built-in as expected; the e-ND filter can cover the wide range from 2 stops to 7 stops with continuous adjustment at high precision. At the same time, it ensures consistent color accuracy and uncompromised sharpness over a whole tuning range.

Dual independent SDI outputs: MAVO Edge provides dual 1.5G/3G SDI outputs with metadata and audio transmission. These two outputs are independent of the two video signals from the Kine Video ports, to enhance the compatibility with third-party accessories like external recorders and 1.5G monitors.
The two video ports of the MAVO Edge can be connected to KineEVF Full-HD OLED viewfinder and KineMON-5U/KineMON-7H Ultra-Bright monitors to get sharp and clear image in indoor and outdoor situations.

General sync and control ports - There are numerous ports integrated on the MAVO Edge body: separate genlock and timecode sync ports for syncing multiple cameras, an RS232 protocol port for communicating with and controlling of third-party accessories, and an RS port for powering and triggering an external record function.

High quality multi-channel audio record - The MAVO Edge supports multi-channel 24bit/48kHz audio record with 3.5mm stereo MIC socket and in-camera high-quality MIC; audio pre-amplifiers with ultra-low noise floor are integrated into camera body, and two independently controlled standard XLR socket for professional microphones that supports 48V phantom power, to offer great convenience for field sound recording and even professional audio recording.

Powerful wired and wireless function - With Gigabit Ethernet on RJ45 port, WIFI5 wireless network and type-c USB socket, the MAVO Edge can output a monitoring/recording image to other devices via live H64 stream. Simultaneously, an internal three-axis gyroscope can record the camera's spatial positioning information and provide GPS geo label of footages. Furthermore, Bluetooth 5.0 is added to expand wireless control and communication with the camera at short distance.

Faster and more intuitive operation interaction - The display area on side screen increases up to 200% to show more parameters for convenient adjustments, combined with a more intuitive buttons layout and user interface layers, allowing for an overall better and more comprehensive shooting experience.

Significant Improvement on Record Media - To process 8K and offer more freedom in encoding, KineMAG is upgraded from SATA 3.0 SSD to NVMe M.2 SSD. MAVO Edge now features PCle 3.0 protocol which allows the whole-new KineMAG Nano to record footages at lightning speed of 10Gb/s, unhindered support of 8K 60fps ProRes RAW and even 8K ProRes444.

Thanks to smaller form factor of KineMAG Nano, MAVO Edge adopts the dual media slot design like KineRAW-S35, first-generation cine camera introduced in 2012. The dual slots design allows for two KineMAG Nanos to record the same clips simultaneously and form an extra RAID1 backup to avoid missing clips. Furthermore, two cards can record the main codec and H264 proxies separately, to make the post-editing workflow much easier.

Additionally, Kinefinity also offers KineMAG Nano enclosures so users could purchase and install third-party NVMe M.2 SSD on their own to save the cost for storage media.

Comprehensive Power Solution - An innovative hybrid battery plate is introduced to MAVO Edge, to meet power demands of the camera and accessories in different shooting scenarios. The integrated combined battery plate can work with 14.8V broadcast V-mount batteries like KineBAT PD 75/150. When handheld or gimbal way, the camera can be powered directly by compatible BP-U30 type batteries like GripBAT 4S, so the operator could work in a cord-free and smooth way, thanks to a reduced payload and no extra power cord.

MAVO Edge's body offers standard a D-Tap port, 12V RS port and Lens port (12V) to power the third-party accessories like wireless video transmitter and wireless lens motor directly. These ports eliminate the need for extra batteries or power converters thus streamlining the camera setup and improving the system stability.
In addition, Movcam brings dedicated KineKIT for MAVO Edge, especially the innovative 15mm baseplate with UPS function powered by two NP-F550 type batteries, due to specialized UPS power contacts at the bottom of MAVO Edge. The creative power solution can not only power the MAVO Edge independently, allowing for an efficient kit space utilization, but also work as UPS power source to supply uninterrupted power to the camera when replacing V-mount batteries or BP-U30 type batteries.

Camera Type Large Format Digital Cinema Camera
Max Record Res 8K 3:2 Full Frame CMOS Imaging Sensor
Shutter 8192x5456 (3:2 Open Gate), 44.7M
Frame Rate 8K Wide 0.2~75fps
Active Area 36x24mm, ø 43.3mm
Dual Base ISO Regular Base ISO: 800
High Base ISO: 3200
Latitude >14 stops
Shutter Angle 0.7°~358° with rolling shutter
Lens Mount Native KineMOUNT with 15mm FFD
Adapters: PL/LPL/Active EF/passive E
Optical Filter Optical LPF with UV and IR-cut filter
ND Filter Built-in motorized: Clear and e-ND from 0.6 to 2.1
Resolution, Frame Rate and Optical Format
  Resolution Frame Rate Codec Optical Format
Full Frame FF 8K Wide
FF 8K Open Gate
FF 6K DCI (Oversample)
FF 4K DCI (Oversample) FF 2K DCI (Oversample)

8192x3456, 0.2~75fps
8192x4320, 0.2~60fps
8192x5456, 0.2~48fps
6144x3240 0.2~60fps
4096x2160, 0.2~60fps
2048x1080, 0.2~60fps

ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
36x15.2mm, ø 39.1mm
36x19mm, ø 40.7mm
36x24mm, ø 43.3mm
36x19mm, ø 43.3mm
36x19mm, ø 43.3mm
36x19mm, ø 43.3mm
S35 S35 6K Wide
S35 6K DCI
S35 5K Wide
S35 5K DCI
S35 4:3 Ana
S35 6:5 Ana
S35 1:1 Ana
S35 4K DCI (Oversample)
S35 2K DCI (Oversample)
6144x2560, 0.2~100fps
6144x3240, 0.2~80fps
5120x2160, 0.2~120fps
5120x2704, 0.2~96fps
5120x3840, 0.2~60fps
5120x4096, 0.2~60fps
4096x4096, 0.2~60fps
4096x2160, 0.2~80fps
2048x1080, 0.2~80fps
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
27x11.3mm, ø 29.3mm
27x14.2mm, ø 30.5mm
22.5x9.5mm, ø 24.4mm
22.5x11.9mm, ø 25.5mm
22.5x16.9mm, ø 28.1mm
22.5x18mm, ø 28.8mm
18x18mm, ø 25.5mm
27x14.2mm, ø 30.5mm
27x14.2mm, ø 30.5mm
Others 4K Wide
2K Wide
4096x1600, 0.2~160fps
4096x2160, 0.2~120fps
2048x860, 0.2~300fps
2048x1080, 0.2~240fps
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
ProRes RAW or ProRes
Codec Format, Color
  Codec Type Codec Format Bit Depth Notes
Record Codec ProRes RAW
Quicktime mov
Quicktime mov
Quicktime mov
Quicktime mov
ProRes RAW HQ included

ProRes422/LT included
Proxy Format H264 mp4 8bits Proxy recording when fps <=30
Color, LUT KineLOG3, Neutral(Rec 709), Support Custom 3D LUT
Record Media Media Slot x2,
for KineMAG Nano SSD based on NVMe M.2 SSD
Media Size (WxHxL) 1.5x3.4x0.3" / 39x87x7 mm
  Proprietary Video Port x2, for Kinefinity Viewfinder, KineMON-5U, KineMON-7U 3G/1.5G SDI x2 with Meta data (regular BNC)
type-c usb x1 for iOS Device with Kinefinity App
Audio sampling spec Linear PCM, 24bits, 48KHz
Audio input In-cam MIC, mono
3.5mm Stereo MIC
48V Phantom Power Balanced Input x2 (regular XLR)
Audio output 3.5mm Stereo Headphone
Wireless & Network
Wired Gigabit Ethernet (RJ45 type) for live stream, camera control and data transfer
Wireless WIFI 5 for live stream, camera control
Bluetooth 5.0
3-axis accelerometer
SYNC and Control
Timecode Linear TC In&Out (0B5P)
Sync Genlock (regular BNC)
Control Lens with RS232, Power output (0B6P)
Multi-sync, Control SYNC with RS232 and Kinefinity camera sync(0B7P)
RS Rec trigger input with Power output (fisher 3P)
Extention Data&Control, EXT 1 and EXT 2 (for pogo-pin, 10 contacts)
USB type-c usb x1 same with above monitoring usb-c, also works for firmware update, custom LUT importation
Power consumption 32W, when 8K 25p, liveview
Power Inputs Integrated Hybrid battery plate, V-mount battery or BP-U compatible DC Input (1B2P), 11~19V
UPS EXT 3(for pogo-pin, 8 contacts)
Power Outputs D-tap x1, Vin@2A; Vin as DC in or BAT in
RS x1, Vin@4A
Lens x1, Vin@4A
Construction and Size
Body Material Carbon Fiber with Aluminum Alloy
Body Weight 2.6lb/1.2kg
Size(WxHxL) 4.1x4.8x4.7" / 105x121x119 mm (*w/o protrusion)
Operating Temp -20°C to +40°C

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